The Philippine Star

Makin' it rain

- By HELENE ENRIQUEZ

Iconic doesn’t even begin to cover it. The 1982 film starring Nora Aunor left audiences haunted for decades to come. How can one person’s baseless claims spark the kind of fanaticism that leads to the upheaval of an entire town — even an entire country? (We seem to find ourselves asking that same question a lot nowadays, eh?) For something Ricky Lee first wrote in 1976, the dystopia of Cupang is as relevant as ever. Needless to say, the restaging of

Himala: Isang Musikal is a big, big deal. What makes it an even bigger deal?

Himala: Isang Musikal is being brought to us in a collaborat­ion between 9Works Theatrical and The Sandbox Collective,

The Sandbox Collective, in collaborat­ion with 9Works Theatrical, is back with ‘Himala: Isang Musikal’

which is finally back after too long a hiatus. You might remember them for their provocativ­e and experiment­al production­s like Dani Girl, The Imaginariu­m and No Filter. Two years later, they’re making a comeback with nothing less than the quintessen­tial Filipino musical. “It’s time. There’s a new generation that needs to see Himala,” says director Ed Lacson Jr. “The ones who’ve already seen (Himala) will always remember it as they first saw it. This is for those who haven’t seen it.”

Stepping into the big shoes of Nora Aunor as Elsa, the tragic faith healer of Cupang, is Awit-Awardee Aicelle Santos (Rak of Aegis, Manila sa Kuko

ng Liwanag). By her side are Elsa’s childhood friends Chayong, played by Neomi Gonzales, and former prostitute Nimia, played by Kakki Teodoro. Rounding out the impressive cast are Bituin Escalante as Aling Saling, Elsa’s mother, Sandino Martin as Pilo, Chayong’s former lover, David Ezra as Orly the filmmaker, and Floyd Tena as the town priest.

With a book and lyrics by Ricky Lee, music by Vince DeJesus, direction and set design by Ed Lacson Jr., musical arrangemen­t by Jed Balsamo, lighting design by Barbie Tan-Tiongco, and costume design by Carlo Pagunaling, the upcoming Himala: Isang Musikal proves itself a much anticipate­d collaborat­ion among the brightest Filipino artists today. Undoubtedl­y, it’s going to be one of the best Philippine theater experience­s going this year.

“After watching, I think they should be bothered,” says Vince DeJesus. “There are so many layers: murder, rape, fanaticism, corruption, greed, principles for sale, immorality — well, whatever immorality means.” For all its complexiti­es, director Ed Lacson Jr. has chosen to render the world of Cupang with the bare essentials: no makeup, no choreograp­hy, no lapels, and just a piano for accompanim­ent. With the stage surroundin­g the audience on all sides, Himala: Isang

Musikal isn’t just “intimate.” It’ll swallow you whole.

Himala: Isang Musikal will run at the Power MAC Center Spotlight, Circuit Makati from Feb. 10 to March 4. For ticket inquiries, contact 0917-554-5560, 586-7105, sab@thesandbox­collective.com, or Ticketworl­d at 891-9999. Tell us how excited you are with the hashtag #Sandbox9WT­Himala

 ??  ?? On bended knees: Aicelle Santos plays the iconic role of Elsa in Himala: Isang Musikal.
On bended knees: Aicelle Santos plays the iconic role of Elsa in Himala: Isang Musikal.
 ??  ?? Family woes: Aside from obvious religious themes, Himala: Isang Musikal also highlights Elsa's relationsh­ip with her mom Aling Saling (played by Bituin Escalante).
Family woes: Aside from obvious religious themes, Himala: Isang Musikal also highlights Elsa's relationsh­ip with her mom Aling Saling (played by Bituin Escalante).

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