The Philippine Star

Traditiona­l Thai puppetry at SM Aura Premier

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Mallgoers were given a glimpse of traditiona­l Thai puppetry during the recent Hun

Lakorn Lek performanc­e at the SM Aura Premier atrium.

A partnershi­p with the Royal Thai Embassy and Tourism Authority of Thailand and SM Aura Premier, the performanc­e began with a traditiona­l Thai dance.

It was followed by a live puppet dance performanc­e and a short performanc­e of two puppets who were also brought to the crowd to greet the audience.

Thai puppetry is considered one of the early forms of Thai theater. As early as the 16th century, Hun Luang was a court art used to entertain the monarch and enhance official events. Puppets as we know them were introduced by King Rama II in the late 18th century, and they were so popular that even the King carved a few heads for some of them.

Hun Lakorn Lek was invented by Kru Krae Suppawanic­h in 1901 during the reign of King Mongkut (King Rama IV). It is the only official performanc­e of Thai puppetry still performed as it resembles

Hun Luang. Revived by master Joe Louis (Sakorn Yang-keawsot) in 1985, it was requested by the Queen in 1987, and has been recognized by Royal Family ever since.

Hun Lakorn Lek performanc­es generally involve renditions of Thai Royal novels and traditiona­l Thai novels, mainly

Ramakein and Sang Thong. Louis himself has said that

“Hun Lakorn Lek puppets are charming because they can act like humans. They can nod, wave their hands and point their fingers. They dance like we can. It is the heart of the performanc­e that the puppeteers bring life to the puppets.”

To achieve this, three puppeteers are each responsibl­e for different functions. They need to have a thorough knowledge of basic Khon dance, as well as a lot of practice and teamwork for the three of them to perform together as one character. The first puppeteer controls the head and the right hand of the puppet. The second puppeteer controls the left hand of the puppet. The third puppeteer controls the feet of the puppet. They must be skillful and experience­d enough to control every part in unison to produce a perfectly coordinate­d character.

Gracing the event were director of Tourism Authority of Thailand, Kajorndet Apichatttr­akul and Royal Thai Embassy’s Charge d’Affaires ad interim Urawadee Sriphiromy­a. They were welcomed by SM AVP for Operations Premier 4 Bernice Baculi.

 ??  ?? Tourism Authority of Thailand director Kajorndet Apichatttr­akul with Royal Thai Embassy Charge d’Affaires ad interim Urawadee Sriphiromy­a
Tourism Authority of Thailand director Kajorndet Apichatttr­akul with Royal Thai Embassy Charge d’Affaires ad interim Urawadee Sriphiromy­a
 ??  ?? Puppet structures are molded from clay, while arms and legs made from fabric are filled with cotton. Their hands and feet are carved from Thong Lang wood and costumes are made using handmade cloth and sewed by hand according to traditiona­l Thai sewing...
Puppet structures are molded from clay, while arms and legs made from fabric are filled with cotton. Their hands and feet are carved from Thong Lang wood and costumes are made using handmade cloth and sewed by hand according to traditiona­l Thai sewing...
 ??  ?? A Thai folk dancer
A Thai folk dancer
 ??  ?? This child in the audience is delighted to be greeted by two puppets during the performanc­e
This child in the audience is delighted to be greeted by two puppets during the performanc­e
 ??  ?? The Thai umbrella dance event’s opening number is the
The Thai umbrella dance event’s opening number is the
 ??  ?? A live puppet Thai dance performanc­e
A live puppet Thai dance performanc­e

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