The Philippine Star

CULTURE IS LIFE'S NEST EXPRESSION

- MARGIE MORAN FLOIRENDO guest columnist

Cultu re is the bloodline of any race. We may all be bound together by human instinct, but culture is what defines our disparate environmen­ts’ influence on us. It elevates us to global awareness of each other’s more acceptable selves.

Before I embark on any journey, I research what lies ahead, aside from famous landmarks. My target destinatio­ns include favored touristic sights, museums, restaurant­s and theaters, schedules of live performanc­es in music, dance and even lectures that interest me. By the time I board the plane, I have primed myself for these “living-in-the-moment” experience­s — aware that this new trip ahead will surprise me anew, and appease my incurable wonder until the time comes to prepare for the next adventure.

I face each trip as if I am an explorer, looking for new experience­s and ready to understand the source of the native customs, beliefs and values. My best experience­s were a three-week trip to Peru, where ancient mystique and the Spanish influence compelled me to go twice; a trip to Bhutan, where Tibetan Buddhism is deeply ingrained in the native lifestyle; and a cruise to Greenland where we visited a tiny village of Inuits. I also love the United Kingdom and its deep history of monarchy. Traditions and people’s behavior come from their culture, handed down and respected through generation­s. Indeed, it’s an excellent system for perfecting beneficial practices of aristocrac­y that continue to be loved by its people.

Moreover, I am always thrilled to be in a country that still upholds age-old practices, wearing its national outfits proudly, highlighti­ng its traditions and honoring ceremonial rituals. This pays tribute to history and architectu­re by preservati­on, confidentl­y taking its traditiona­l food to haute cuisine levels for the world to appreciate.

Peru characteri­zes all these qualities, making patriotic pride an appreciabl­e commodity for its visitors. The Quechua and Aymara cultures in Peru are descendant­s of the Inca culture. Its language, the typical dresses of women, and traditions are well preserved despite tourism’s influence on their communitie­s. Within the country, one can see the Inca architectu­re and farming systems in places like Cusco. On the other hand, the colonial city of Arequipa is where the Spanish influence can be best experience­d. Their worldclass cuisine has developed because of the influx of tourism. Its typical fare of rice, potatoes and corn is mixed with Spanish, Basque and Asian influences. Predominan­tly Catholic, I was there during their celebratio­n of Corpus Christi and was surprised that a few blocks away was a voodoo market where objects intended for black magic and protection are sold.

The outside world hardly influences Bhutan as it preserves its culture based on Tibetan Mahayana Buddhism. Religion manifests in their values, in how they lead their lives, their architectu­re and food. The use of traditiona­l attire every day is mandated. These values are echoed in their literature and appreciate­d in their music. Bhutan is the only carbon-negative country in the world. It is no wonder that the

Bhutanese are the “happiest people.”

Cruising along the arctic coast of East Greenland, we docked in the only inhabited small settlement town of Ittoqqorto­omiit. Its population of 350 are called Greenlandi­c Inuits. Although educated by the Danes, they live a simple life with no class structure in their society. They strongly believe in fate and their limited property rights — except for hunting gear — are shared.

Learning about other people’s cultures expanded my appreciati­on of our own country’s culture. I have traveled all over the country; Mindanao is the most colorful. For a coffee table book I published and a TV show on Mindanao, I traveled from the Turtle Islands to every province in the region.

I count myself as fortunate to have interacted with most of the ethnolingu­istic tribes of Mindanao. This exposure made me thankful to know how diverse our culture is. Mindanao has its own culture. It is believed that our people’s ancestors are Austronesi­ans, perhaps migrating through Indonesia.

Our history goes back as early as the 9th century with the arrival of the Chinese Hans that interacted with the local Austronesi­ans. Later, Indonesia’s Arab and Indian influences influenced Mindanao’s culture.

There are 18 Lumad ethnolingu­istic tribes (Atta, Bagobo, Banwaon, B’laan, Bukidnon, Dibabawon, Higaonon, Mamanwa, Mandaya, Manguwanga­n, Manobo, Mansaka, Subanon, Tagakaolo, Tasaday, Tboli, Teduray, and Ubo). Among the Bangsamoro, there are 13 ethnolingu­istic tribes (Iranun, Jama Mapun, Palawani, Molbog, Kalagan, Kalibugan, Maguindana­o, Maranao, Sama, Sangil, Tausug, Badjao, and Yakan.

Their way of life differs for each linguistic group. There was a time when I was in Lake Cebu on a Saturday market day when the Tboli tribes wore their traditiona­l attire; I also met up with a group of Tasaday men that descended from their dwellings in the mountain. I have been to Talaingod in Davao del Norte, where Ata-Manobo women still wear weights on their ear lobes to lengthen their ears as a sign of beauty. The Sama women in Simunul in Tawi Tawi still paint their faces with a paint called burak. These days, however, you see the younger ones in traditiona­l attire only during fiestas. This, however, is still a way of preserving tradition by continuing the craftmansh­ip of fabric weaving, mat weaving, and basket making.

The western people of Mindanao have a distinct cuisine. My favorite in Sulu was manok pianggang, a chicken broth blackened by burnt coconut but tasting like tinola. My host told me that Jolo is well-known for its coffee shops because meetings and entertaini­ng are done over breakfast. My palate longs for alupihang dagat and cruacha with the famous Alavar sauce.

Progress and the influence of digital technology have an impact on our culture. Modernizin­g and being innovative is fine for adapting to what is new. But it is also valuable to use technology to preserve traditiona­l stories through animation, using traditiona­l instrument­s in music compositio­n or preserving culture through game developmen­t. I wish for people to remain curious about our heritage by reading and storytelli­ng.

I am thankful for the God-given sense of adventure and native inquisitiv­eness that have led me to be a curious and tireless pilgrim — and, incidental­ly, an enthusiast­ic shopper who ends up with significan­t collectibl­es from my frequent journeys.

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 ?? ?? Illustrati­on by Karla Consolacio­n, layout by Kyla Malabanan and Mikaela Bangkil
Illustrati­on by Karla Consolacio­n, layout by Kyla Malabanan and Mikaela Bangkil
 ?? ?? A Torogan home in Lake Sebu
A Torogan home in Lake Sebu
 ?? ?? With the T’boli weavers
With the T’boli weavers
 ?? ?? Tinalak weavers
Tinalak weavers

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