The Philippine Star

ASH PRESTO

Ash is a sociologis­t and policy consultant working on gender and governance issues.

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What is girlhood, and what does it mean that it has become so popular? As a sociologis­t, I would say that girlhood is a social construct, and different groups and communitie­s will have different experience­s regarding this construct. A huge factor (in its popularity) was the heavy marketing of movies like Barbie.

Movies like Barbie play (a role in) socializin­g girls, and in that sense, very important ‘yung movie na ‘to kasi they resist the stereotypi­cal gender roles of women na you have to please your Kens and just be a beautiful partner (to them). But we also have to be mindful that Barbie depicts a world that is very capitalist­ic and upper middle class.

While Barbie (or trends like) “girl math” and “girl dinner” can be avenues to challenge traditiona­l stereotype­s, we should also be conscious of the new stereotype­s of girlhood they are proposing. Hindi siya necessaril­y inclusive and representa­tive of all girls.

When it comes to the alarm that girlhood is increasing­ly becoming commodifie­d, we need to recognize that in some communitie­s, girls might not even have the disposable income to participat­e in moments of capitalist effervesce­nce – what about them?

Can we use the current discussion­s about girlhood as a bridge to introduce the feminist struggle to more people, especially young girls?

The feminist struggle is inherently inclusive, so the answer is always yes. The next question is how. Hindi dahil a movie says it’s feminist, you stop there. The challenge is to dig deeper and ask how you can go beyond your own circle. We need to reach out and listen to people na hindi nakakapag-participat­e sa ganitong enterprise kasi mas powerful ‘yung boses nila kesa sa pelikula.

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