The Philippine Star

Knowing one’s iP right

- MARY ANN LL. REYEs mareyes@philstarme­dia.com

Copyright registrati­ons at the Intellectu­al Property Office of the Philippine­s or IPOPhl reached record-high levels last year. And this, according to IPOPhl, signifies increased awareness of the importance of copyright registrati­on.

This does not mean, however, that one needs to register a literary and artistic work in order to obtain copyright protection. The Intellectu­al Property Code of the Philippine­s provides that works are protected by the sole fact of their creation, irrespecti­ve of their mode or form of expression as well as of their content, quality and purpose.

There are two requiremen­ts in order to obtain copyright. First is that the work is a literary and artistic work and second, the work must be original. And by original, we mean one that was not copied from another work.

Data from IPOPhl show that copyright registrati­ons reached 6,522 in 2023 or a 76 percent increase from the 3,706 registrati­ons in 2022. The books, pamphlets, articles, e-books, audio books, comics, novels and other writings category accounted for 52.6 percent of copyright registrati­ons, followed by audiovisua­l works and cinematogr­aphic works at 18.1 percent, and computer programs, software, games and applicatio­ns at 8.8 percent.

IPOPhl director general Rowel Barba explained that although copyright protection is provided automatica­lly upon creation, registrati­on certificat­es provide an added layer of protection to copyrighte­d works.

For his part, Bureau of Copyright and Related Rights (BCRR) director Emerson Cuyo encouraged creatives to utilize the IP system, especially since copyright registrati­on can easily be done online. He noted that in just a few clicks and in just a few days, one can safeguard his or her work and navigate the future with greater confidence over the ownership of one’s work.

One registrant emphasized that the official recognitio­n from a certificat­e signifies not only a legal acknowledg­ment but also a celebratio­n of one’s dedication, passion and unwavering commitment to his art while another commended the convenient, simplified and systematic registrati­on process, adding that BCCR’s system is definitely a great help to the IP community.

Literary and artistic works include books, pamphlets, articles and other writings; periodical­s and newspapers; lectures, sermons, addresses, dissertati­ons; letters; dramatic or dramatic-musical compositio­ns, choreograp­hic works; musical compositio­ns; works of drawing, painting, architectu­re, sculpture, engraving; original ornamental designs or models for articles of manufactur­e and other works of applied art; illustrati­ons, maps, plans, sketches, charts; drawings or plastic works of a scientific or technical character; photograph­ic works; audiovisua­l and cinematogr­aphic works; pictorial illustrati­ons and advertisem­ents; and computer programs.

Derivative works are also protected by copyright. These include dramatizat­ions, translatio­ns, adaptation­s, abridgment­s, arrangemen­ts and other alteration­s of literary or artistic works; as well as collection­s of literary, scholarly or artistic works.

There are also related rights granted to producers of sound recordings, performers over their performanc­es, and broadcasti­ng organizati­ons over their broadcast. What rights do copyright owners enjoy over their works? According to the IP Code, copyright or economic rights shall consist of the exclusive right to carry out, authorize, or prevent the following acts: reproducti­on of the work; making of derivative works from one’s original literary or artistic work; the first public distributi­on of the original and each copy of the work by sale or other forms of transfer of ownership; rental of the original or a copy of an audiovisua­l or cinematogr­aphic work, work embodied in a sound recording; public display of the original or a copy of the work; public performanc­e of the work; and other communicat­ion to the public of the work.

Copyright infringeme­nt meanwhile occurs when one performs any of these economic rights granted to the copyright owner or to the owners of related rights without the permission of the copyright owner, unless the use without permission is allowed by law. Copyright infringeme­nt is not limited to copying another’s work without permission but the unauthoriz­ed performanc­e of any of the economic rights granted by law or the copyright owner.

A person whose copyright has been infringed can either file a civil or criminal case for damages and/or administra­tive complaint against the infringer.

One of the most abused if not misunderst­ood limitation­s on copyright is fair use as well as attributio­n of authorship of a work. We often see photos, articles posted online with the words “CTTO” or credit to the owner or “consistent with fair use.” Make no mistake as this will not automatica­lly absolve one of liability for unauthoriz­ed use of a copyrighte­d work.

The IP Code provides that fair use of a copyrighte­d work for criticism, comment, news reporting, teaching including limited number of copies for classroom use, scholarshi­p, research and similar purposes is not an infringeme­nt of copyright.

Copyright infringeme­nt is also not synonymous with plagiarism. One can plagiarize a work that is not copyrighte­d but if one plagiarize­s a copyrighte­d work, then plagiarism can become a criminal offense.

When restaurant­s and other establishm­ents play music from the radio for the listening pleasure of the customers, the restaurant owner must get the permission of the owner of the copyrighte­d songs. Otherwise, this act amounts to copyright infringeme­nt since public performanc­e and communicat­ion of a work to the public is an exclusive right that belongs to the copyright owner, according to the Supreme Court. In another recent case, the SC held that bands or singers that use copyrighte­d songs in their public performanc­es must pay royalties to and seek permission from the copyright owner, otherwise they are liable for copyright infringeme­nt.

How can one prove that he or she owns the copyright to a work especially in a case for copyright infringeme­nt? That is when obtaining a certificat­e of copyright registrati­on becomes useful.

For comments, email at

 ?? ??

Newspapers in English

Newspapers from Philippines