Avant-garde mosque angers hardliners in Iran
TEHRAN: A newly built avantgarde mosque in the heart of Iran’s capital would have hardliners shouting from the minarets — if there were any.
The architects behind the Valie-Asr mosque dispensed with the traditional rounded domes and towering minarets, opting instead for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam.
The new structure has infuriated hardliners, who see it as part of a creeping secular onslaught on the country. An editorial posted on the Mashregh news website compared the curvature to that of a Jewish yarmulke, accusing authorities of “treason” for approving it. The “completely neutral” design betrays an “atheistic approach,” it said.
The mosque has emerged as the latest battleground in a longstanding culture war between hardliners and Iran’s vibrant artistic community, which has hoped — often in vain — for greater openness since President Hassan Rouhani was elected in 2013.
The 25,000-square-meter structure rises smoothly from a major intersection, in a popular shopping area near Tehran University that also hosts cultural and artistic events. It is adjacent to the City Theater of Tehran, an iconic building dating back to before the 1979 revolution, and the mosque includes its own library, reading halls, classrooms and amphitheater.
Reza Daneshmir, one of the architects, said he struggled for months before finally convincing authorities that a traditional mosque would look out of place at the site. He even argued his case before a parliamentary committee.
City officials “objected and said it did not look like a mosque, did not resemble the conventional form of a mosque, and that it couldn’t be done,” he said. “I explained who the real audiences of this mosque are,” he said, referring to the young, bohemian Iranians who frequent the neighborhood. “I finally succeeded in persuading them.”
“We wanted it to be an avantgarde project, not a conservative and backward one,” he added.
He and his co-designer, Catherine Spiridonoff, point out that mosques come in many shapes and sizes. The dome structure was only adopted later, as were minarets. In the past, a muezzin would climb a spiral staircase to the top of the minaret five times a day to call the faithful to prayer, but that practice has all but disappeared across the Muslim world, where most mosques are now equipped with loudspeakers.
Those arguments carry little weight with Iran’s hardliners and conservatives, who fear that the questioning of traditional structures — including the concrete variety — could erode the foundations of the republic. Mashregh says the architects sacrificed traditional design “at the foot of the City Theater.”
The structure was nevertheless completed, after 10 years and at a cost of $16 million. It is expected to be opened to the public within the coming months.
Nima Borzouie, an 18-year-old student, acknowledged that he was initially unaware the building included a mosque, but said he approved of the idea.
“The spiritual aspect of a mosque is more important than its architecture,” he said.