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LX2 Studio’s everyday elegance

The founders of the Dubai-based jewelry brand discuss the inspiratio­ns behind their collection­s

- Rawaa Talass Dubai

It took a friendship based on a mutual interest in art, architectu­re and history to launch the Dubai-based fine jewelry line LX2

Studio. Entreprene­urs

Lina Kobeissi and Letitia Gasser founded LX2 in

2017 and their designs pay homage to ancient and modern urban landscapes in a minimalist­ic yet eyecatchin­g way. More than that, Kobeissi and Gasser hope to shift the mindset on fine jewelry in the region.

“It was important for us to democratiz­e 18-karat gold and precious stones in the Middle East,” explained the EgyptianSw­iss Gasser, who is also a public relations executive at Christian Louboutin. “In the 1990s and early 2000s, if you wanted to get something in real gold or diamond, you had to go with your mother or aunt to your local jeweler. It’s a whole process and it can be very intimidati­ng. You (couldn’t) just go and buy a small piece every month — it’s a big deal. We wanted to make jewelry more accessible. So, instead of getting one big piece every five years, I get small pieces that I can wear every day — and that mean something to me and have a story — every couple of months. We wanted our pieces to be timeless yet to have this small edge that you can actually wear every day.” LX2 Studio has so far released two eclectic collection­s, designed in an Egyptian atelier, reflecting the designers’ appreciati­on of architectu­re and the stories it hides. A distinct aspect of all of their designs is revealing a deconstruc­tion of a certain motif — not showing something as is, but elements of it. There’s more to each design than meets the eye. The studio’s debut offering was influenced by the German capital of Berlin – known for its brutal industrial concrete architectu­re and wild undergroun­d party scene. The collection’s rings, necklaces, chokers, and earrings featured both straight and curvy lines, neon poles, braille letters and a variety of stones as embellishm­ent. “The shapes of the Berlin collection were inspired by the shadows and lights still found in the abandoned factories and machines that have been left behind and were once the heart of it all,” according to the brand’s website.

In 2018, the designers found new inspiratio­n on a visit to the ancient Egyptian city of Luxor — home to several majestic sites, notably the Luxor Temple, Valley of the Kings and Valley of the Queens, where Tutankhamu­n, Ramses II and Egypt’s longestrul­ing female pharaoh Hatshepsut are buried.

“It was my first time visiting Luxor and I didn’t know what to expect,” said Lebanese-German interior architect Kobeissi. “But I have to say it was one of the few places I’ve been to in my life that had me floored. Going so deep into these old temples — that have a vibrancy of colors and detailed craftsmans­hip — was absolutely mind-blowing.”

Luxor’s ancient sites are rife with pictograph­ic hieroglyph­s, which were reportedly the first human writing system. “We actually went to Luxor saying that we weren’t going to do hieroglyph­s in our designs because that’s what is expected,” continued Kobeissi. “But then, after we visited all of these different temples with a guide and we got really deep into Luxor’s history, we realized that’s where the essence really lies — it’s not a cliché at all. Its history really touched us.”

After carefully deciding on the details — from the shapes of the pieces to their designated stones and symbolic colors — the pair introduced four ‘stories’ (as they like to view them) into their Luxor Collection, including the ‘Eye of Horus’ and ‘Djed.’ The statement ‘Shenu’ earrings, with an oval shape reminiscen­t of the cartouche hieroglyph (used to encircle the names of royals) are a particular standout.

From the same collection, the delicate ‘N’ pieces — studded with princess-cut emeralds and sapphires — show jagged water lines representi­ng the Nile.

“The Nile, specifical­ly, was an essential part of the region,” Kobeissi explained.

“It represente­d nourishmen­t, prosperity, and life.”

The pair have also found time to ensure that their brand is socially engaged. They have donated some of their profits to the Helm Egypt Foundation, which helps people with special needs, and some proceeds from the Luxor Collection will be granted to an e-learning creative school in Luxor.

“We always try to relate our cause to our collection as a way of giving back,” said Gasser. “That’s a core of our business.”

Luxor was one of the few places I’ve been to in my life that had me floored. It was absolutely mind-blowing.

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