Augustman

YOU SPIN ME RIGHT ROUND

Vinyl records are arguably the gold standard of audio formats, and it’s not just hipsters who want them now

- WORDS EVIGAN XIAO PHOTOS UNSPLASH

WHEN IT COMES TO MUSIC, one analogue medium reigns supreme. Vinyl records have always been held in high esteem by hobbyists and profession­als alike due to its various perceived benefits, such as superior sound quality. Despite the advancemen­t of digital sampling, this centuries-old invention still holds appeal, in part also due to the romanticis­m attributed to it. Exactly how is it different from digital formats though?

Love At First Press

The first commercial­ly available vinyl record was released in 1889 and saw distributi­on only in Europe. These original discs were approximat­ely five inches in diameter and treated mostly as curiositie­s or novelty gifts.

Over the next six decades, the vinyl record grew in size, coming in at 10 inches in

1901, and 12 inches two years later. It was only in 1948 that entertainm­ent group CBS introduced the world’s first long play (LP) record and ushered in the new standard for music listening.

These LPs measured 12 inches in diameter and had a playtime of around 21 minutes per side, playing at a speed of 33⅓ revolution­s per minute (rpm). Shortly after, RCA Victor (now RCA Records) debuted its version of the LP record. It was smaller at seven inches across, and was played at 45rpm. These two formats became the de facto format for vinyl records quickly after their introducti­on, and remain so today.

In fact, the ways that music is still distribute­d today have their roots in these two record sizes. The LP was the standard format for longer releases that had a greater number of songs, which we know today as the album. The seven-inch record, on the other hand, was used for releasing singles ‒ yet another format that has survived the transition to CDs, digital downloads, and streaming services.

Secrets In The Grooves

You may recall the logo of the now-defunct music and film retailer HMV. It was a cute little terrier-mix facing a gramophone with its head cocked in curiosity. While the presence of a record player at a time when digital formats are the norm may seem irrelevant, HMV maintained a small vinyl section right up till it shuttered in 2015. You could even sample records on the spot in a separate listening room.

If a casual passer-by were to look in, there would be a good deal of confusion involved. How can music be produced off a needle dragging across a set of circular grooves on a polyvinyl chloride disc?

To put simply, the grooves of a vinyl

record represent a drawing of the music’s sound wave in a continuous line. As it revolves on the turntable, the tiny ridges cause the needle (also known as a stylus) to vibrate. These vibrations are then amplified through the player and broadcaste­d as music via the speakers.

This real-time decoding is precisely what makes vinyl different from digital formats. Digital signals are discrete, as opposed to continuous. Essentiall­y, an analogue recording is rendered as a smooth continuous sound wave because the medium (such as vinyl) allows it. A digital recording, however, is simply a sequence of ones and zeroes, so the same sound wave must be broken up into discrete steps that approximat­e it. How accurately these “steps” can reproduce the original sound will thus affect its quality.

“Accuracy” in this case is a bit of a misnomer. Certainly, current sampling rates of 48,000 hertz and lossless compressio­n in digital files can make it nigh impossible for the a person to discern the difference­s between analogue and digital. However, other production-end variables at play

(eg encoding and decoding algorithms, buffer size, etc) mean that consistenc­y and accuracy are not always guaranteed, even when applying what’s techically a “sufficient” bit rate.

Vinyl isn’t without its technical shortcomin­gs too, from the limited dynamic range (the difference between the loudest and softest sounds) to the fixed length of music that can be etched into a record. There are, however, many reasons why one should consider a vinyl record over a CD or digital file. Some claim that the “warmth” or “soul” of a recorded piece can only be found within the analogue format, while others simply appreciate the intimacy of handling a vinyl record. There are also those that enjoy collecting the limited-edition cover art that typically accompanie­s vinyl pressings.

Whatever the reason, vinyl records are just another example of how some things never go out of style.

(Don’t) Just Press Play

You may think of vinyl records as delicate things; you’d be somewhat correct. Things like storage, aftercare and usage do affect longevity. With the proper care, vinyl records can and will last practicall­y forever, as evidenced by the still-healthy vintage vinyl scene. Thicker records (like those stamped with a “180 gram” label) also tend to degrade slower and are more tolerant towards repeated plays.

For those looking to start a vinyl record collection, it may be useful to follow certain guidelines. For example, vinyl records should always be kept in their original sleeves and stored in a cool, dry place. They should also be stored vertically and never horizontal­ly, because stacking them one atop another runs a high risk of warping. It’s also worthwhile to invest in a simple recordclea­ning kit for use after each play.

When it comes to playing the actual record, the devil is in the details. Careless handling can result in a subpar listening experience at best and a damaged record at worst. This activity demands more than simply hitting the play button, but you’ll see just how the almost meditative ritual that goes into setting up your record makes for a very different listening experience, not unlike writing on paper instead of tapping one’s words into a smartphone. AM

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