Herworld (Singapore)

The Museum for Modern Art

Parkview Square isn’t just popularly known as Singapore’s “Gotham building”. It also houses the country’s largest private museum. David Fuhrmann-Lim reports.

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F or 15 years, not much seemed to happen at Parkview Square at 600 North Bridge Road. Then in March this year, without trumpets blaring or banners unfurling, Atlas (the bar to get your gin x at) and Parkview Museum (Singapore’s largest private museum) opened there.

The latter is on the third oor of the magnicent Art Deco building, and its aim is to enrich our local art scene and provide a global platform for artistic expression and the popularisa­tion of contempora­ry art in Singapore – at no charge to the public.

“I think Singaporea­ns in general are ready to start looking at art more, and I know the government wants to push art here,” says Vicky Hwang, managing director of the Parkview Group (which is known for its residentia­l and hotel developmen­ts, and arts organisati­ons) in Singapore.

“And when Singaporea­ns put their minds to it, they make it happen in a big way.”

The museum’s rst exhibition, On Sharks and Humanity, is a multidisci­plinary conservati­on effort that’s epic in scale and emotional in scope. Featuring artists from Singapore, China, Hong Kong, Taiwan, Germany and the United States, it addresses the practice of shark nning and the impact of human activity on the oceans. It is supported by internatio­nal non-profit organisati­on Wildaid, whose mission is to end the illegal wildlife trade and reduce demand for wildlife products such as shark’s n.

“We decided to open with this exhibition,” Hwang says. “We could’ve opened with Italian contempora­ry art, but we wanted to do something that was a little bit more accessible to the general population, something with a more passionate appeal that would also have a social cause.”

Parkview Museum is founded on the belief that art can play a significan­t role in initiating societal change. George Wong, Parkview Arts Action founder and Hong Kong Parkview Group executive chairman, says: “This is a serious environmen­tal issue that affects us all. Shark preservati­on is undoubtedl­y critical. Declining shark numbers pose a fundamenta­l

threat to the health of the world’s oceans. Through the artists’ varied interpreta­tions, On Sharks and Humanity can inform and confront audiences in ways that strike more directly into the human psyche than the abstract language of scientic debate.”

Singapore is the exhibition’s rst South-east Asian stop. It was previously showcased at the Oceanograp­hic Museum of Monaco in 2014 before travelling to Moscow and the National Museum of China in Beijing in 2015.

The environmen­t and artistic expression are priorities in Parkview Group’s developmen­t strategy. Wong himself is an inveterate art collector. He rmly believes that people need to interact with art and see art in everyday life, not just in a museum setting. Most of the group’s properties have art installati­ons through the whole developmen­t area, the retail sections, the hotel areas and the common walkways.

All this is apparent in Parkview Square’s surrounds: Botero’s Dressed Woman looms large in the courtyard; four Ren Zhe statues – representi­ng celestial beings – symbolical­ly protect the corners of the property; and a few of the On Sharks and Humanity pieces are installed strategica­lly as well.

Parkview Museum is the group’s rst in South-east Asia; the other is in Beijing. Its art collection includes the largest Dali collection outside of Spain, numerous artworks by Western masters, and a substantia­l collection of contempora­ry Chinese art amounting to more than 10,000 works.

“We want to bring internatio­nal artists and thematic exhibition­s that will draw on artists from all over the world. We plan to have about four exhibition­s a year [at this museum],” says Hwang.

“Currently, Beijing is showcasing Italian contempora­ry art, and that’s the next show that will come here.” After that, we can expect an alternatio­n between solo shows and thematic group exhibition­s. These will be curated by the group’s arts organisati­on arm, Parkview Arts Action, which will strive to involve the local community and play an educationa­l role by strengthen­ing our appreciati­on and understand­ing of contempora­ry art.

On Sharks and Humanity’s run ends on June 26, 2017. Opening hours: 11am-7pm, Monday to Saturday.

 ??  ?? Enlightenm­ent, by Chinese artist Yu Yang.
Enlightenm­ent, by Chinese artist Yu Yang.
 ??  ?? The Tomb of Honour, by Chinese artist Zheng Lu.
The Tomb of Honour, by Chinese artist Zheng Lu.
 ??  ?? The Harvest, by American artist Mark Leong.
The Harvest, by American artist Mark Leong.
 ??  ?? Downward Force on Upward Moving Objects, by Chinese artist Wang Luyan. Tulle dress, knit bra and underwear (prices unavailabl­e) from Christian Dior. Acetate sunglasses with embellishm­ents, $570, from Miu Miu.
Downward Force on Upward Moving Objects, by Chinese artist Wang Luyan. Tulle dress, knit bra and underwear (prices unavailabl­e) from Christian Dior. Acetate sunglasses with embellishm­ents, $570, from Miu Miu.
 ??  ?? The Last Line of Defense, by Hong Kong artist Marcus Wong.
The Last Line of Defense, by Hong Kong artist Marcus Wong.
 ??  ?? Swimming, by Chinese artist Zou Liang.
Swimming, by Chinese artist Zou Liang.
 ??  ?? Don’t Kill Me, by Hong Kong artist Marcus Wong.
Don’t Kill Me, by Hong Kong artist Marcus Wong.

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