HWM (Singapore)

What makes a good lens?

Canon L lens technology, explained simply.

- By Alvin Soh

The Canon L series of lenses is marked by a bright red line on the lens barrel, and it’s the lens of choice for profession­als using Canon cameras. A lot goes into the making of an L lens, so that the nal image is sharp, clear, and free from optical distortion­s. Here are key L technologi­es, simply explained.

1 ASPHERICAL LENSES MINIMIZE ABERRATION­S

Spherical lenses are cheaper to produce, but because light passing through a spherical lens converges at different focal points, it results in a softer, low contrast image, like photograph­ing through a sheer veil. This is an optical phenomena known as spherical aberration.

An aspherical lens, which has a non-spherical surface, is designed to converge light rays onto a single focal point, allowing the camera to capture high contrast images with uniform sharpness. Aspherical lenses can also reduce other optical aberration­s like astigmatis­m and distortion.

Aspherical lenses, however, are difcult to make. Some of Canon’s aspherical lens designs require precision tolerances that are in the nanometer range, or 1/1,000,000 of a millimeter. Deviations of more than that are rejected.

2 GLASS ISN’T ALWAYS BEST

Chromatic aberration, also known as color fringing or purple fringing, is when images look blurry, or when colors appear around the edges of objects, especially in highcontra­st and backlit photograph­s.

Chromatic aberration occurs because the wavelength­s of light bend at different points within a lens, and the

lens is unable to focus all wavelength­s onto the same focal plane.

To counter chromatic aberration, Canon developed lenses made from synthetic crystals, composed mainly of calcium uoride. Fluorite lenses have better light dispersion properties than regular glass, which helps to reduce chromatic aberration, and also produces clearer image delineatio­n than convention­al glass. 3 ULTRASONIC MOTORS FOR ULTRASONIC AF Almost all L lenses use Canon’s Ultrasonic Motor (USM), the company’s unique drive system. The USM converts ultrasonic vibration to rotational energy with one-thousandth of a millimeter precision, and draws minimal power from the camera while remaining quiet.

The USM has high torque, with virtually instantane­ous starts and stops. All of its qualities make it ideal as a highspeed, high-precision motor for the AF system. 4 OIS HOLDS THE SHOT STEADY Optical image stabilizat­ion (OIS) is critical for getting sharp and steady images, especially at long focal lengths where small nudges translate to big movements.

Canon’s OIS technology detects camera shake with a vibration gyro sensor and shifts parts of the lens to counteract the image blur.

While Canon’s IS technology is lens-based, there are also cameras that come with in-camera body OIS. There are pros and cons to either approach, but generally speaking, lens-based OIS is more ne-tuned, as it’s tailored specically for the lens it’s housed in. Lens-based OIS can also be more effective in compensati­ng for the more violent shakes from long telephoto lenses. 5 COATINGS REDUCE GHOSTING AND FLARE Flare or ghosting optical aberration­s can occur when light reects off the lens or sensor. Canon’s L lenses contain a combinatio­n of unique coatings to combat these aberration­s.

This includes the newly developed Subwavelen­gth Structure Coating (SWC), which minimizes are and ghosting by using wedgeshape­d nano structures.

Air Sphere Coating (ASC) applies a lm containing microspher­es of air over the vapordepos­ition lens coating, resulting in exceptiona­l anti-reectivity. Super Spectra Coating, which allows up to 99.9% of light to emerge from each lens element, delivers optimum color balance, so that colors are reproduced accurately.

 ??  ?? Photograph­ed with EF24-105mm
Photograph­ed with EF24-105mm
 ??  ??
 ??  ?? Photograph­ed with EF16-35mm f2.8L III USM
Photograph­ed with EF16-35mm f2.8L III USM

Newspapers in English

Newspapers from Singapore