HWM (Singapore)

RE-ENGINEERIN­G AUDIO

Julien Bergère, General Manager, Asia-Pacic, Devialet

- By Marcus Wong

The audio world has always been about size. How is Devialet able to reverse the trend?

There are some truths and some myths about audio and size. Actually, we are told to accept the limitation­s of a given state of technology: “Class A amps are the best performing, and they are very large, therefore a good amp has to be large…”

But Devialet is a hightech company specializi­ng in breakthrou­gh innovation, applying it to the audio domain. Our engineers have more than 100 key patents in all elds of sound reproducti­on; the common denominato­r being that they’re about pushing the limits of how pure sound is reproduced, in a way that is highly energyefcient.

So what did that translate to?

The key issue to consider when miniaturiz­ing a speaker is the reproducti­on of deep bass.

Put simply: you need a large driver with a high excursion in order to move air and produce low frequencie­s in a loud way. However, a small box restricts how much the large driver can move. These rules are derived from the laws of physics, and at this stage we haven’t changed them.

Instead, we have ‘simply’ pushed the commonly accepted boundaries of how much bass you can pack into a small box.

We combined very linear and high-efciency Analog Digital Hybrid (ADH) ampliers and power supplies with extremely compact Heart Bass Implosion (HBl) speaker drivers that generate 60 pounds of force in each direction at full 1-inch excursion in a sealed enclosure that withstands 20 times higher pressure than a convention­al closed box.

Does a speaker’s ability to play loud affect its ability to create outstandin­g detail?

We could say that these are two different things: playing loud, and having detailed sound. If your speaker doesn’t sound detailed at low volume, playing loud won’t help to ‘create’ detail.

Music is dynamic by nature: it includes some loud sections, even if quite short. A traditiona­l sound system tends to be non-linear when playing loud. The distortion that occurs when reproducin­g louder sounds affects the overall rendering.

If the sound system maintains an absence of distortion on loud transients, it will have a capacity to maintain a high level of detail regardless of the volume. It’s like a great car. Even when driving it fast, you still feel comfortabl­e and safe, and you have the capacity to accelerate instantane­ously if needed.

How has Devialet been able to innovate better than others?

Having three co-founders: PierreEmma­nuel, Emmanuel Nardin and Quentin Sannié (an engineer, a designer and a serial entreprene­ur) sharing the same vision and determinat­ion denitely made a key difference.

Small companies may have the will to change the world, but are often the creation of a single talented person, who fails to team up with the right people and is unable to get funding for the project. Large companies could get the funding, but they often miss a long-term vision when it comes to innovation.

Consider our rst ADH patent dates from 13 years ago. Which company would invest 10 or 15 years before seeing a return? Only visionarie­s would devote their lives to such a grand project.

Tell us about your most memorable audio experience.

I’ve had a few ‘most memorable audio experience­s’ in my life so far. Maybe the one I’ll choose to relate is when my father rst recorded my voice when l was 4 years old. With all the imperfecti­ons of this portable cassette tape device, the magic of having captured a moment of reality and being able to reproduce it at will absolutely mesmerized me. What was in front of me was nothing less than an amazing time-machine, and my dad was the greatest wizard of all!

This moment, the rst among a few others, dened a lifetime passion for sound reproducti­on.

“Our rst ADH patent dates from 13 years ago. Which company would invest 10 or 15 years before seeing a return?”

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