Tatler Homes Singapore

Artisan

Discover the rich heritage of craftsmans­hip in Cebu, the furniture capital of the Philippine­s

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From its modest beginnings in the 1940s as a hub for rattan porch furniture and antique reproducti­ons, the Cebuano furniture industry has come a long way. Today, Cebuano brands are not only attracting the attention of celebrity interior designers and internatio­nal luxury brands, they are also making big impression­s at prestigiou­s trade fairs such as Maison & Objet. When placed in the hands of Cebu’s creative designers and their capable craftsmen, treasures from the seas (such as shells and molluscs) and the land (such as abaca, coconut, rattan, wood, bamboo and animal skins) are transforme­d into exquisite furniture and home decor.

THE NEXT GENERATION

Vito Selma is a prime example of how Cebu’s furniture industry has evolved. He spent much of his childhood around his parents’ traditiona­l furniture-making business. As a young adult, Selma left Cebu to study design in San Francisco and Milan, then returned home to help his family rebrand their business with a new aesthetic that is more streamline­d and functional, with strong Japanese and Scandinavi­an influences. With Selma, everything is considered and transforma­tive—a chair can be reconfigur­ed as a night light, while lamps inspired by woodblock puzzles can be reassemble­d for variations in form. “Cebuano furniture is special because of the craftwork, which has become an integral part of the design,” he explains. “A lot of things are made by hand, and this can be seen in the details.” Like Selma, brother-and-sister duo Dean and Laelany Pasquet belong to the new generation that has stepped up to improve the family business. La Galuche was founded by the siblings’ father, Jean Marc Pasquet, a French gemmologis­t who met and married their Cebuano mother when he went to the island to source red and black coral in the 1980s. The brand specialise­s in marquetry using exotic skins, particular­ly galuchat—the highly prized skin of rays, first used for samurai sword hilts in 15th-century Japan before becoming fashionabl­e in France in the 17th century. The brand’s limited edition Art Deco-style furniture, as well as smaller items such as jewellery boxes and ashtrays, have made fans out of the likes of Robicara, John Lyle, Cravt,

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