Tatler Singapore

The Shape of Things

Parmigiani Fleurier ushers in the new generation of Kalpa timepieces with three new models sporting various tweaks, says Jamie Tan

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FIRST INTRODUCED IN 2001, the Kalpa is a milestone in Michel Parmigiani’s watchmakin­g career for being his first tonneau-shaped watch. The timepiece quickly became an icon within Parmigiani Fleurier’s line-up, and has long served as the manufactur­e’s calling card for shaped timepieces, which are complement­ed by teardrop lugs. Parmigiani Fleurier penned a new chapter for the Kalpa this year at the Salon Internatio­nal de la Haute Horlogerie by introducin­g three models that refresh both the aesthetics and technical details of the collection. The new Kalpa Chronor, Kalpagraph­e Chronomètr­e and Kalpa Hebdomadai­re retain the collection’s signature shape, but come with slightly reworked cases. The tweaks are subtle: slightly shorter but wider and thicker lugs; a new case profile that creates a concave caseback; and a larger opening on the caseback through which one can admire the movement. The revised cases are in turn matched with two new in-house movements and a classic one. What is especially important here are their shapes—the new calibres featured in these timepieces are all tonneau-shaped to match their respective cases. This is a major step up from the previous iterations of the Kalpa, which have mostly relied on round movements within their cases. As Michel put it, the goal is to create a “consistenc­y between inside and outside”, never mind the increased difficulty of designing a movement with such an outline.

SHAPED AND INTEGRATED

The Kalpa Chronor is the obvious flagship among the two new chronograp­hs. It is equipped with the self-winding calibre PF365, an integrated chronograp­h movement executed in solid gold. This makes it the world’s first integrated automatic chronograp­h in solid gold, and brings to mind 2016’s Tonda Chronor Anniversai­re, which had a solid gold integrated rattrapant­e chronograp­h calibre (PF361). A solid gold movement isn’t just precious for its gold content, but also because the material is not easy to work with. For starters, gold is soft, malleable and deforms easily, so creating a movement in gold demands technical expertise in engineerin­g structural components such as the main plate and bridges, which are openworked here. Decorating the gold components also requires skill—and patience—in order to create the usual hallmarks of haute horlogerie such as bevelled edges and internal angles. On the technical front, the usual features that are expected of such a movement

are all present; PF365 uses a vertical clutch, and is column wheel actuated. The movement also stands out for being a highbeat calibre—it oscillates at 5Hz, which allows the chronograp­h to measure down to 1/10th of a second (compared to 1/8th of a second in 4Hz movements). Despite this, however, it has a healthy 65-hour power reserve. The well-rounded features of this integrated chronograp­h movement are testament to the six years of work that have gone into its developmen­t. From the front, the Kalpa Chronor presents a well-proportion­ed dial, with a tachymeter on the inner flange surroundin­g the rest of the dial elements. The minute and hour totalisers are at 3 and 9 o’clock, respective­ly, and rendered in gold with snailing to make them immediatel­y legible. Meanwhile, the small seconds indication lies at 6 o’clock, with the date aperture at 12 o’clock for balance. Just 50 numbered pieces of the Kalpa Chronor will be produced. Meanwhile, the Kalpagraph­e Chronomètr­e is offered as the “regular” counterpar­t to the Kalpa Chronor. The calibre PF362 within the watch is nearly identical to PF365 described above, save for the solid gold constructi­on and openworkin­g of its more premium sibling—features such as the power reserve, beat rate, and chronograp­h clutch remain the same. Both movements are Cosc-certified.

A solid gold movement isn’t just precious for its gold content, but also because the material is not easy to work with. Gold is soft, malleable and deforms easily, so creating a movement in gold demands technical expertise in engineerin­g structural components

THROWBACK TO THE ORIGINAL

The third watch in the line-up is the Kalpa Hebdomadai­re. Hebdomadai­re literally means weekly, and refers to the watch’s need to be wound weekly, thanks to an eight-day power reserve. This timepiece pays tribute to the very first tonneau-shaped movement, the PF110, created by Michel in 1998, by using the very movement itself. Calibre PF110 has remained in production in the 20 years following its introducti­on, thanks to its technical features, which remain relevant even today. The most important is its power reserve, of course, which is achieved with two barrels connected in series. The layout of its indicators is also very user-friendly, with the date and power reserve indicators at 12 o’clock to balance the small seconds subdial at 6 o’clock.

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 ??  ?? SOFT SPOT Michel Parmigiani (left) designed the Kalpa collection with a tonneausha­ped movement to match the case so as to create a “consistenc­y between inside and outside”. The new Kalpa Hebdomadai­re (centre) and Kalpagraph­e Chronomètr­e (right) cleave to that philosophy
SOFT SPOT Michel Parmigiani (left) designed the Kalpa collection with a tonneausha­ped movement to match the case so as to create a “consistenc­y between inside and outside”. The new Kalpa Hebdomadai­re (centre) and Kalpagraph­e Chronomètr­e (right) cleave to that philosophy
 ??  ?? LESS IS MORE All three timepieces, including the Kalpagraph­e Chronomètr­e, are offered in rose gold cases with matching Hermès leather straps, and their movements are Cosc-certified
LESS IS MORE All three timepieces, including the Kalpagraph­e Chronomètr­e, are offered in rose gold cases with matching Hermès leather straps, and their movements are Cosc-certified
 ??  ?? A LOOK INSIDE The calibres PF365 (left) and PF362 are largely similar, except for their materials, and the skeletonis­ation on the former
A LOOK INSIDE The calibres PF365 (left) and PF362 are largely similar, except for their materials, and the skeletonis­ation on the former

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