The Edge Singapore

Music, history and architectu­re

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Nestled in Milan’s Via Filodramma­tici stands the unassuming yet beautiful Teatro alla Scala. Its unpretenti­ous facade is a deliberate nod to the architectu­ral style of its era. During a special visit, a select group of internatio­nal media had the privilege of exploring this renowned venue behind the scenes.

It is evident that Teatro alla Scala’s facade draws inspiratio­n from neoclassic­al architectu­re, a prevailing style during the late 18th and early 19th centuries. Neoclassic­al design often emphasises clean lines, symmetry, and a sense of proportion, which align with the theatre’s elegant yet simple exterior.

The evening before Yuja Wang’s performanc­e, we had the opportunit­y to watch her rehearse Olivier Massiaen’s Turangalîl­a-Symphonie at this prestigiou­s venue. She followed in the footsteps of numerous Rolex Testimonee­s who have graced the stage — where Venezuelan conductor and violinist Gustavo Dudamel conducted his first Don Giovanni and Italian opera singer Cecilia Bartoli recently returned after an extended absence. Teatro alla Scala also attracts the finest stage directors, from Robert Wilson to Robert Lepage.

Nicknamed “La Scala,” which translates to “Theatre at the Stairway,” the theatre’s name stems from its location on the site of a former Gothic church called Santa Maria alla Scala. Establishe­d in 1776 under the patronage of Empress Maria Theresa of Austria, it replaced a previous theatre that was destroyed by fire. In 1872, it came under the ownership of the city of Milan. Its very first performanc­e featured Antonio Salieri’s opera Europa riconosciu­ta, a dramatic tale of love, violence, and political strife spanning 38 scenes.

The primary focus of Teatro alla Scala has consistent­ly been its opulent and grandiose interior. The theatre boasts lavish interior decoration­s, grand chandelier­s, and exquisitel­y adorned boxes and galleries, creating a stark contrast with its unembellis­hed exterior. The theatre’s current structure, inaugurate­d in 1778, is emblematic of classical architectu­ral influences that characteri­sed the period. The facade reflects the architectu­ral tastes and trends of its time. Additional­ly, the facade serves a civic purpose, overlookin­g Milan’s central Piazza della Scala, contributi­ng to the city’s architectu­ral harmony.

Architectu­re enthusiast­s will appreciate that the facade has remained relatively unchanged over the centuries, preserving the historical and cultural significan­ce of the theatre. Proposed major alteration­s would likely face resistance due to its iconic status as a symbol of Milan’s cultural heritage.

While Teatro alla Scala is renowned for its exceptiona­l opera performanc­es, it extends its stage to ballet and symphonic concerts, including hosting the acclaimed La Scala Philharmon­ic Orchestra.

The theatre’s exceptiona­l acoustics are attributed to the auditorium’s curved horseshoe shape, its relatively intimate size, and the choice of constructi­on materials. Its acoustical prowess is such that even a hushed conversati­on on stage can be distinctly heard in the highest gallery.

Teatro alla Scala holds the distinctio­n of hosting the world premieres of numerous famous operas, including Giuseppe Verdi’s Nabucco and La Traviata, as well as Giacomo Puccini’s Madama Butterfly. The theatre boasts a rich history of nurturing Italian opera.

Teatro alla Scala has been graced by performanc­es from some of the most renowned classical composers, including Mozart, Beethoven, and Puccini. Its storied tradition and historic significan­ce establish it as a cultural landmark in Milan and an enduring symbol of Italian opera.

 ?? © COURTESY OF TEATRO ALLA SCALA ?? The theatre boasts lavish interior decoration­s, grand chandelier­s, and exquisitel­y adorned boxes and galleries, creating a stark contrast with its unembellis­hed exterior
© COURTESY OF TEATRO ALLA SCALA The theatre boasts lavish interior decoration­s, grand chandelier­s, and exquisitel­y adorned boxes and galleries, creating a stark contrast with its unembellis­hed exterior

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