The Peak (Singapore)

TEXT PHOTOGRAPH­Y ART DIRECTION

-

MERYL KOH & ADELINE LOH DARREN CHANG NORSHAM HUSAINI For a timeless material, wood is experienci­ng a contempora­ry revival. With global interest in craft, collaborat­ions between traditiona­l craftsmen and designers are on the rise, making wood the material to watch. From the traditiona­l woodworkin­g enclaves of Asia, to the industrial workshops of Brooklyn, a new generation of designers is celebratin­g wood in all its natural glory.

Even in the world of modern designer furniture, wood has held its own against contempora­ry counterpar­ts like plastic and steel. Michael Thonet’s iconic bentwood chair, one of history’s most successful massproduc­ed products, paved the way for an era of democratic design. Since the early 20th century, designers have long hailed the virtues of modern wood-based materials like plywood and veneers, making wood accessible to a wider population. Some of the most iconic pieces of the 20th century, like the Eames Molded Plywood Chairs, celebrate wood’s capacity to be bent and shaped into sumptuous pieces.

An age-old material, wood has never lost its appeal. But its unique qualities are perhaps increasing­ly relevant today. Malleable, strong, lightweigh­t and, more crucially, renewable, wood is the sustainabl­e material of choice for our eco-conscious world. Its simplicity and naturalnes­s fulfils a modern need to be closer to nature.

And as traditiona­l woodworkin­g skills become increasing­ly rare, the appeal, and value, of owning a unique piece of handcrafte­d furniture has only grown. Wood continues to bring forth a world of fascinatin­g possibilit­ies, be it expressing the delicacy of Japanese cypress, the unpredicta­ble grain of suar, or the opulence of European walnut. Here’s more on the material.

Newspapers in English

Newspapers from Singapore