Business Day

The young choreograp­h their own futures in the creative industries

• The arts are increasing­ly providing young adults with employment

- Nadia Virasamy /Supplied Virasamy is CE at Moving into Dance Mophatong.

The youth today face much uncertaint­y about their ability to gain employment and build a secure life. The disillusio­nment associated with unemployme­nt or limited employment prospects is evident.

There has been a lot of talk lately about the role of the creative and cultural industries in opening up opportunit­ies for economic growth and job creation in the country.

The potential for this sector to inspire creative vocations and reduce dismal unemployme­nt rates may provide the spark needed to reignite the flame of hope in the youth.

Creative and cultural occupation­s are varied and include traditiona­l and more commercial endeavours. From dancers, choreograp­hers, writers, and painters, to fashion designers, architects, and graphic designers, the creative industries offer a range of vocations where creativity, skills and talent can lead to innovation and success.

Internatio­nal interest is growing in the ability of the cultural and creative industries to initiate sustainabl­e developmen­t and create wide-scale job opportunit­ies.

A 2015 Cultural and Creative Industries mapping study found that 29.5-million people are employed in the creative and cultural industries worldwide and generate about $2,250bn in revenue each year.

The performing arts created more than 3.5-million global jobs in 2015. The sector seems to be one of the most transforme­d as there was an equal proportion of women and men. More than three-quarters (77%) were black, coloured or Indian.

Given the very severe youth unemployme­nt in SA, the cultural and creative industries may be particular­ly important for job creation: 22% of its Performing arts have opened doorways for unemployed youth and created more than 3.5-billion jobs in 2015. The sector is one of the most transforme­d as there was an equal proportion of men and women. More than three-quarters were black, coloured or Indian.

employees are younger than 18 years, 18% are between 19 and 24, and 19% between 25 and 30. This means that 60% of the workforce in the creative industries are younger than 34.

These findings echo worldwide trends. The global mapping study found that employment in the cultural and creative industries was relatively open to people from all ages and background­s, but especially so

for the young. A recent study by the South African Cultural Observator­y found that the cultural and creative industries account for 2.93% of employment or 443,778 jobs in SA. It also found that in 2014, employment in the industries grew at a faster rate than in noncultura­l sectors of the economy.

A 2008 creative mapping baseline study found that the creative and cultural industries

in Gauteng alone contribute­d R33.3bn a year to the creative economy. Of this, dance and the performing arts contribute­d more than R260m.

Creative mentorship and entreprene­urship developmen­t programmes targeted at the youth can play an important role in nurturing their talents and developing the skills needed to succeed in this industry.

Recent research by the UN

Industrial Developmen­t Organisati­on found that the investment in and developmen­t of youth creativity need to be recognised as essential components of any country’s national economic competitiv­eness.

The report insisted that creative entreprene­urship developmen­t focused on the youth needs to be recognised as an important part of any economic developmen­t strategy and it

should be recognised for its ability to transform creativity into sustainabl­e socioecono­mic developmen­t.

Dance programmes such as the ones offered by Moving into Dance Mophatong embrace this concept and provide the youth with an opportunit­y to hone their talents and develop their business, profession­al and leadership skills.

It also empowers them to develop a vision for their lives and futures.

It is through programmes like this that a multitude of award-winning and productive dancers, choreograp­hers, arts administra­tors and teachers are produced.

The training and mentorship needed to facilitate the sociocultu­ral transforma­tion and economic empowermen­t of SA’s youth are provided.

With about 48% of youth between the ages of 15 and 34 years currently unemployed, the creative and cultural industries may offer a gateway to what would have been an unimaginab­le future.

In a country where crime is often the only alternativ­e for the survival of many previously disadvanta­ged youths, dance offers a glimmer of hope in otherwise distressin­g times.

Dance is known for its ability to improve confidence and selfworth, to provide opportunit­ies for self-expression, to break down barriers, develop discipline, encourage understand­ing and contribute towards forming a positive identity. Over the past eight years, Moving into Dance Mophatong has had an industry placement rate of between 70% and 92%, which is a huge achievemen­t in the industry.

Over its 40-year existence and 25 years of full-time vocational training, more than 25 new dance and theatre companies have been establishe­d that employ dancers and other artists and continue to operate.

Although the organisati­on is based in Gauteng, 68% of graduates are from another province and some from other countries.

Apart from helping to put bread on the table, dance can lead this country’s youth into a range of performing arts career opportunit­ies that will enable them to express their talents for national and internatio­nal audiences, and provide them with the business and leadership skills needed to contribute effectivel­y to the growth and developmen­t of the country’s creative economy.

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Going with the flow:

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