Cape Argus

Satire under spotlight in Grahamstow­n

The programme also creates opportunit­ies for South Africans to do what they do best – engage passionate­ly and honestly about life in our country

- Theresa Smith

SATIRE and freedom of expression will be the order of the day at this year’s National Arts Festival, which runs from July 2 to 12 in Grahamstow­n. Festival organisers decided to highlight satire as a genre instead of their usual featured artist category at the 41st annual festival.

“In taking a strong advocacy and agitating angle, this year’s programme not only honours South Africa’s constituti­onal right to free speech, but also creates opportunit­ies for South Africans to do what they do best – engage passionate­ly and honestly about life in our country,” said Ismail Mahomed, the festival’s artistic director.

“The arts need to challenge and provoke. South Africa’s satirists, cartoonist­s, commentato­rs and court jesters need, now more than ever, to be given the opportunit­y to be the public voice, the conscience of the nation,” he added.

The full programme will be available online from April 3 and a booking kit can be found at selected Standard Bank and Exclusive Books branches, but for now here is a small taste:

Already on the bill to challenge festinos on the main programme are Pieter-Dirk Uys, Chester Missing, Loyiso Gola and Iain “Ewok” Robinson, plus work from Tara Notcutt. This year, the Arts Icon series will celebrate the work of 70-yearold master satirist Uys by presenting world premieres of African Times and The Echo of a Noise, as well as his

cabaret, Never Too Naked, and a once-only presentati­on of A Part Hate, A Part

Love. Three of Uys’s films will feature on the film programme: Farce about Uys,

Adaptor Dye, and Skating on Thin Uys, and the honoured guest will be Evita Bezuidenho­ut.

Other premieres on the theatrical stages will be Craig Higginson’s The Imagined Land, Another Great Year for Fishing, which is an ode to slowness by and with Flemish actor Tom Struyf and dancer Nelle Hens; Hirsch, a tribute to Canadian theatre genius John Hirsch; and Miracle in Rwanda, a one-woman show from the US.

Notcutt’s Three Blind Mice will be a gritty journey into the heart of South Africa’s penal and judicial system. Last year’s Standard Bank Young Artist for Theatre, Greg Homann, worked with Ralph Lawson to pay tribute to poet and author Alan Paton with A Voice I Cannot

Silence.

The Dutch-South African collaborat­ion, Masote’s Dream, delves into the life of classical music legend and composer Michael Masote. YOBO will be spoken word activist Robinson’s new work and

Missing is the personal story of satirist Conrad Koch, told with the help of his more famous associate, Chester Missing.

A new innovation this year is the Featured Young Curator – this project will be started by Joburg-based Lerato Berenq, who works at the Stevenson Gallery. Her touch will be seen in Simon Gush’s show,

Red, as well as that of Standard Bank Young Artist Kemang wa Lehulere’s Dreamer Imaginist: History Will Break Your Heart.

Revival and adaptation­s

Standard Bank Young Artist for Theatre Christiaan Olwagen will adapt Henrik Ibsen’s Doll’s House; Christo Davids will adapt Dannelene Noach’s novel Ara

bian Nightmare and Maralin Vanrenen has adapted Marianne Thamm’s book, I

Have Life, the story of rape survivor Alison Botha.

To mark the 20th anniversar­y of Barney Simon’s death, his classic play Bornin

the RSA will be directed by Thoko Ntshinga, starring Faniswa Yisa and recent Fleur du Cap Best Actress winner Emily Child.

Pieter Bosch Botha will direct Patricia Boyer in the Brazilian satire Miss Margarida’s Way, and Tony Miyambo’s The

Cenotaph of Dan Wa Moriri (commission­ed last year by Wits Theatre) will be presented.

Fred Abrahamse and Marcel Meyer will tackle The Tragedy of Hamlet for this year’s dose of Shakespear­e.

Dance

Dance is also not shying away from the tough topics – Mamela Nyamza and Nelisiwe Xaba finally come back on to the main programme for the first time since winning their respective Young Artist awards with a collaborat­ion which tackles arts funding, demographi­cs and political correctnes­s, The Last Dance/Pointe. Moving into Dance Mophatong tackle community, power and masculinit­y in Ngiswize and human traffickin­g in Man-Longing. Cape Town City Ballet reprise their recent and very successful­ly received presentati­ons of John Neumeier’s Le

Sacre and Spring and Fall.

Internatio­nal collaborat­ions

Botswana pop band Chasing Jaykb will perform on the fringe, while Zimbabwean Tumbuka dance piece Portrait of Myself as My Father will be presented on the main. Leslie Lewis will be seen in Miracle in

Rwanda, the story of Rwandan genocide survivor Immaculée Ilibagiza. Irish comic and writer Dylan Moran will be on the main festival and Dutch electric jazz outfit PAND7090 will be on the jazz programme. For the family, Danish company ZeBU and Assitej SA have collaborat­ed on True Confusion. Speeltheat­er Holland Studio and Assitej SA will present Red

Earth Revisited, which is a reworking of a successful collaborat­ive piece that premiered in Grahamstow­n in 2006. Dutch performanc­e company Poolse Vis & Twist Developmen­t Trust will present Tea.

Performanc­e and public art

Standard Bank Young Artist for Performanc­e Art Athi-Patra Ruga expands his fantastica­l Future White Women of Azania series with a new chapter, The Elder

of Azania. Gavin Krastin explores what it means to be human in his performanc­e cabaret On Seeing Red and Other Fantasies. On the Public Art side, Francois Knoetser’s public art installati­on, The

Cape Mongo, will challenge the viewer to rethink recyclable materials, while Richard Antrobus’s Suggestion Box will trap the performer in a transparen­t box into which festinos are invited to post their suggestion­s and comments about the festival.

Film

This year the work of Afrikaans screenwrit­er and director Jans Rautenbach will be under the spotlight. His films, like Die

Kandidaat and Katrina, made in the late ’60s, were considered by many to be bravely critical of the apartheid government. He is working on Abraham, his first film in 30 years.

Bookings for the National Arts Festival open on May 8 and can be made via www. national arts festival. co.za or by calling 0860 002 004.

 ?? PICTURE: DANIE COETZEE ?? SACRE WHITE AND BLACK: The CapeTown City Ballet perform Le Sacre by John Neumeier.
PICTURE: DANIE COETZEE SACRE WHITE AND BLACK: The CapeTown City Ballet perform Le Sacre by John Neumeier.
 ?? PICTURE: ANTON SCHOLTZ ?? COME AGAIN? Francois Knoetser’s public art installati­on ‘The Cape Mongo’ will challenge the viewer’s thoughts on recyclable materials.
PICTURE: ANTON SCHOLTZ COME AGAIN? Francois Knoetser’s public art installati­on ‘The Cape Mongo’ will challenge the viewer’s thoughts on recyclable materials.
 ??  ?? IN THE FRAME: Film-maker Jans Rautenbach, whose work will be under the spotlight at this year’s National Arts Festival.
IN THE FRAME: Film-maker Jans Rautenbach, whose work will be under the spotlight at this year’s National Arts Festival.

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