House music Heavyweight

At just 23 years old, Heavy K is fast approaching legendary status. The house producer took through some of the highlights of his second album.

Jazmee’s Sina on the other end of the phone. He’s not

lying.

EAVYK doesn’t know when his album

will be released because he keeps

making news songs and trying to add

them to the album,” exclaims Kalawa

When photographer Thuli Mbatha and I arrive at

Heavy K’s mini mansion in Midrand around noon, he’s still asleep. Sox, whom you might remember from this year’s Big Brother Mzansi, is under a

blanket on the couch. He, too, has been asleep. Wiping

what’s left of a dream from his eyes, he tells us Heavy

K and the boys didn’t get any shut-eye until after four

that morning.

The producer who was born Mkhululi Siqula was up all night making music. Will it appear on his second album, Respect the Drumboss 2015 ? Sox smiles

and says: “Maybe.”

After a while, the young gun who broke into the music scene with the hit, Wena, featuring Mpumi,

comes outside to meet us.

“I’m done with the album,” he says as he poses for

Thuli. “It’s a double album and as we’re talking, the

songs are being mastered in Cape Town.”

The album is meant to have 22-tracks, but “last

week, I did a song with Speedy and thought, ‘maybe

Riky Rick can do something here’. Even though I’m

done, it’s like when you’re cooking, but you keep

adding spices.”

Music is the food of life after all, and the song

featuring Riky and Speedy is probably going to play

on and on this summer. It’s about a fly chick shaking

what her momma gave her and the beat has a quick

drum pattern that borrows from marimba. Heavy K

doesn’t seem like a flashy guy, but he insists on being

photographed on his Mercedes-Benz C63 – you know,

the model Cassper Nyovest wants and wishes he

could tell us why.

The luminous yellow car was Heavy K’s dream car

and is an extension of his quest to start and stay in

his own lane. This is obvious when we sit down in the

home studio. It’s a scorching day, but it’s not as hot as

the music he plays me as he beams with pride. A

plastic crucifix is stuck to the wall, eye-level with

Heavy K who reclines in the swivelling chair.

The Port Elizabeth-bred muso speaks about

creating a blueprint for African house music as though it was divine intervention. Before he released his debut album, Respect The Drumboss 2013 , he was

led to put African drums at the core of his music.

“Before Busi Mhlongo passed,” he remembers, “I (as part of Point 5) did a remix of her song Izizwe and

it was very popular. Even when I use international-

sounding chords, I make sure the beat and vocalists

are distinctly African.”

He admits that his gold-selling debut put a lot of

pressure on him: “At first, I was really scared. I

couldn’t let the fact that it sold well go. I named my

album that because I wanted people to respect my

music more than anything else. It’s a big title so I had

to make sure the music is at the level where it is

undeniably respectable.”

So he decided to keep the title and change the year

of release as he churns out albums because “I want to continue building on that respect.” If his first single, Sweetie, featuring Nokwazi, is anything to go by, that

respect remains intact. Heavy K also played us a song

featuring Nigerian artist, Burna Boy.

“I don’t understand what he’s saying, either,”

Heavy K laughs as Burna’s patois fills the room, “but

it’s going to open doors for other producers to try new

sounds.”

He turns the song down to tell me: “This song will

put me on a bigger platform. It’ll be my crossover

because I’m not competing with DJs in South Africa, I’m coming for David Guetta!” He also played Mzwangedwa, featuring Mondli Ngcobo. Mondli’s

voice is so smooth and neo-soul inspired over these crazy drums that you’ll forget this is someone who told us Koze Kuse all of last summer.

As expected, there is a song, called Moya ,

featuring frequent collaborator, Professor. With an

enveloping baseline, it’s about someone taking your

breath away. Heavy K moves his hands up and down

his knees while the song plays and grins with his eyes

closed when Mpumi starts singing. It’s a pleasant

surprise and special to the producer as these artists had a major hand in his success.

“From Lento to Beautiful War and now Nguye Lo ,

everything Professor and I do is a hit,” he smiles.

“Even with Mpumi, our working relationship is

amazing because we click. People are going to lose

their bonuses to this album!” Then he leans in for a

hi-five.

Heavy K may be tooting his own horn, but he is right to do so. Respect The Drumboss 2015 is going to

catapult his star into a supernova. When we leave his

home, it’s clear Heavy K will not be having an early

evening: “All the music people have heard from me

wasn’t a mistake. I am music and if there was no

more music, I’d have to die tomorrow.”