Cape Argus

Making control rooms of increasing­ly complex telescopes user-friendly

- Christophe­r Justin Hendrickse

THE stars are an incredible source of informatio­n. Their patterns indicate when seeds should be sown or crops harvested. Their movements tell us that the seasons are changing.

But it’s not just amateur enthusiast­s or farmers with no scientific training who watch the stars. Technology has redefined the profession­al field of astronomy. Pioneering telescope designs have allowed profession­al astronomer­s to unravel ever more complex questions about the universe and its mysteries.

These complicate­d telescopes require extremely complex control rooms. A control room is usually located in the same building as the telescope, though it is separate from the actual telescope.

It tends to feature multiple computers, each with at least one screen, a mouse and a keyboard; radio monitors; weather instrument displays; comfortabl­e chairs; a bathroom and sometimes a small kitchen. This is where the telescope operator and one or more astronomer­s will spend their days (and, given the nature of their work, nights too).

Research I conducted at the South African Large Telescope (Salt) illustrate­s just how hard it is to make increasing­ly complex telescope control rooms user-friendly.

Salt is on a remote plateau with a high altitude and dark unpolluted skies, not far from the town of Sutherland in the Karoo.

During the late 1980s, astronomer­s in South Africa found it increasing­ly difficult to keep up with the internatio­nal astronomy community because the largest South African Astronomic­al Observator­y telescope was only 1.9m.

Then some South African stakeholde­rs had the unique opportunit­y to review the completed Hobby-Eberly Telescope (Het) at the McDonald Observator­y in Texas.

This lead to the constructi­on of the Salt: a larger, revised version of the Het with an 11m primary mirror. It’s been fully operationa­l since 2011.

What I discovered during my research was that there are two different profession­al communitie­s involved with Salt – and neither understand­s the other’s needs. Engineers developed the hardware that makes the Salt control room tick. They also provide ongoing maintenanc­e.

But the research emerging from that control room is conducted by astronomer­s. While the control room is very technicall­y functional, the astronomer­s find it complex and counter-intuitive to their needs.

These insights confirm why the role of technical infrastruc­ture and its impact on work flow require coherent design approaches. Designers develop intelligen­t adaptive systems that take users’ expectatio­ns into account, support individual difference­s and capture the users’ intent.

There are entire companies dedicated to control room design – but very little research about how design can be applied to telescopes’ control rooms.

My research aimed to improve the Salt control room’s usability. These sorts of practical interventi­ons are important. We need to understand how people interact with the new technologi­es entering human work spaces so efficient and productive control rooms can be designed.

The project had two sections. The first was a design ethnograph­ic study. I wanted to observe work flows and talk to astronomer­s to understand their concerns and problems. This meant spending about 300 hours in the Salt control room.

After many hours observing and speaking with different astronomer­s and telescope operators in the control room, I identified some common complaints.

The astronomer­s found it difficult to manage the use of multiple screens and input devices like keyboards and mouses. This set up made technical sense to the engineers, but resulted in a confusing, cluttered work area for the astronomer­s.

I explored different ways to address the problem. First, we combined all the elements into single units (so one monitor, keyboard and mouse per work station).

Some people really liked this approach and found it worked for them. Others struggled to adapt.

I then tried a really simple approach: I colour co-ordinated each computer screen, mouse and keyboard with self-adhesive vinyl. This helped the astronomer to quickly identify which computer they were working on; before, they often grabbed the incorrect keyboard or mouse or tried to work across computer screens that were not connected.

Everyone was very happy with the results, and told me the colour co-ordination had dramatical­ly reduced their frustratio­n and actually improved productivi­ty in the control room.

I made a few other small changes in consultati­on with the astronomer­s. We improved the telescope’s notificati­on system, which is the software used to give the user an audio alert when it has completed a procedure. Some of the astronomer­s found it annoying and wanted the option to mute it in favour of an alternativ­e notificati­on method.

We also mounted computer screens on adjustable brackets so users of different heights could set the monitor to their liking. This helped improve posture, which also contribute­d to productivi­ty and satisfacti­on at work.

Much of what I did was rather intuitive and simple. But the result, in the long term, is an improved work space. It was also driven by the astronomer­s, and that contribute­s to their sense of owning and enjoying the space they occupy every day.

Control rooms – whether they’re linked to nuclear power plants, air traffic centres or telescopes – are the interfaces of technology and human decision-making.

They work best when those working in them don’t have to worry about what’s happening on their desks and can focus on their work – and, in the case of the Salt astronomer­s, keep searching the stars for secrets.

Christophe­r Justin Hendrickse is a lecturer in product/industrial design, Cape Peninsula University of Technology. This article initially appeared in The Conversati­on.

 ??  ?? DESIGN SOLUTIONS: Christophe­r Justin Hendrickse
DESIGN SOLUTIONS: Christophe­r Justin Hendrickse

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