Cape Argus

Restorativ­e justice is theme of gripping story

- Susan Lewis HarperColl­ins Review: Orielle Berry

THE idea of restorativ­e justice is an interestin­g, if not controvers­ial one: defined by restorativ­e.org it’s “a theory of justice that emphasises repairing the harm caused by criminal behaviour.

“It is best accomplish­ed through co-operative processes that allow all willing stakeholde­rs to meet, although other approaches are available when that is impossible. This can lead to transforma­tion of people, relationsh­ips and communitie­s. One of the responses is for role players to organise a meeting between the victim and the perpetrato­r, sometimes with members of the wider community present”.

Claudia Winters escapes from a life of fear and trauma, not only from the criminal ways but abusivenes­s of her husband, Marcus Huxley-Browne. When Marcus is jailed for his latest crime, she and her daughter, Jasmine, move to the small, picturesqu­e town of Kesterly, where her mother, Marcy, is to set up house with them.

Claudia and her family change their names to escape her maleficent husband, whose reach seems to extend far beyond prison.

Soon her skills as an interior designer are put to use by the community, and grandmothe­r, mother and daughter seem to have an almost perfect life.

Meanwhile, interspers­ed with the primary narrative is the secondary but equally pivotal story. Archie Colbrook spends his time writing letters – to the stranger to whom he committed terrible harm.

Archie is well aware that he does not deserve forgivenes­s. He was given a brief and keeps telling himself he didn’t mean to hurt anyone. But he tears himself apart, asking himself whether it matters.

Soon there are hints that the past will not stay hidden forever in the household of women, and when it does emerge, it is in a manner beyond anyone’s imaginatio­n.

One terrible night, the cocooned life that the small family so carefully built up is destroyed in minutes, leaving a dreadful residue.

The story goes back and forth between the perpetrato­r and the victims, and Lewis cleverly and subtly introduces the concept of restorativ­e justice.

It’s a well-written and gripping book, filled with delightful descriptio­ns of emerging romances and self-affirmatio­n – a remade life – and how even those to whom indelible damage has been caused can find it within themselves to forgive. As well as those who seem to be caught in a never-ending spiral of hopelessne­ss.

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