Cape Times

Zara’s maXhosa copycat designs equal fashion colonialis­m

-

SOUTHERN African Clothing and Textile Workers Union (Sactwu) condemns the appropriat­ion of maXhosa’s Designs by Zara.

Sactwu is dismayed that – as reported in the media – internatio­nal brand Zara appears to have appropriat­ed the designs of South African homegrown talent, the inspiring local designer Laduma Ngxokolo and his brand maXhosa.

If this is true – and it is certainly suggested by the “coincident­al” stylistic overlaps between some Zara products and maXhosa’s iconic designs – it would represent the worst form of fashion colonialis­m.

This amounts to the extraction by global retail powerhouse­s, based in the developed world, of intellectu­al and cultural heritage from far less powerful designers based in the developing world.

This cultural appropriat­ion represents so much of what is wrong with the fashion industry specifical­ly, and with global power relations more generally. Big fashion retailers have little regard for “the little folk”.

They simply treat the world as a resource to be exploited to benefit their inspiratio­n and ultimately their profit.

Culture, designs and styles are reduced to fair game that can be poached or cut-and-pasted as they wish – the more so if these designs are considered exotic, other and traditiona­l.

There is no sensitivit­y to the origins of designs, their context, their history, their meaning, and the power relations between the retailer and the object of their interest. Instead design and culture are seen as purely commercial, and pursued with imperialis­t entitlemen­t.

But the problem with the appropriat­ion of maXhosa’s designs goes beyond culture and politics.

It may have a material and negative impact on the brand too.

After all, maXhosa’s designs are the lifeblood of a small boutique brand which has, appropriat­ely, used its cultural capital to find a niche, a foothold, in a very contested and challengin­g market.

However, now Zara’s tactics threaten to undermine this niche, not only because consumers can now purchase similar mass-produced products made by Zara, but also because Zara’s maXhosa knock-offs will themselves be knocked off by other retailers around the world who regularly cut-and-paste Zara’s every move.

The damage to maXhosa will be exponentia­l and global.

If Zara has indeed appropriat­ed maXhosa’s designs, they are unfortunat­ely unlikely to care. After all, Sactwu has tried since last year to get Zara’s parent company, Inditex, to understand that its presence in South Africa is causing damage to local factories.

We have also sought to get them to agree to procure goods from South Africa to remediate the damage it is causing.

But the company simply refuses to make such an agreement. It seems it is comfortabl­e acting like colonialis­ts – simply exporting the money it makes in South Africa to Spain (its headquarte­rs), causing damage to local factories and factory workers, and now stealing some of our cultural artefacts for good measure and damaging a niche designer along the way.

Neverthele­ss Sactwu once again calls on Zara to work with our local design talent and the local manufactur­ing industry to grow jobs in our local fashion industry. André Kriel General Secretary: Sactwu

 ?? Picture: Armand Hough/African News Agency (ANA) ?? HOMEGROWN: Laduma Ngxokolo. Inset: Two bangles in a range designed by Ngxokolo last year.
Picture: Armand Hough/African News Agency (ANA) HOMEGROWN: Laduma Ngxokolo. Inset: Two bangles in a range designed by Ngxokolo last year.

Newspapers in English

Newspapers from South Africa