Daily Dispatch

Lugg’s indelible art house lives on

Seven decades of art produced by towering East London painter, sculptor and educator ready for local display

- By SANDY SHOOLMAN dupreezleo­n234@gmail.com

THE new illustrate­d biography The House that Jack Built about the life and work of Jack Lugg, influentia­l South African artist and indomitabl­e figure on the Eastern Cape landscape, is a magnificen­t and highly informativ­e tribute.

Lugg was head of the East London Technical College Art School for 38 years and is highly regarded nationwide, including by former colleagues and students who have gone on to become prominent artists, critics and educators in their own right.

This substantia­l and entertaini­ng book is unique in many ways. It is a touching tribute to a man who made an enormous impact on many lives, especially in East London where he taught for almost four decades.

It is a valuable historical record of seven decades of exceptiona­l art production by a seminal artist in a changing internatio­nal landscape.

It is an inspiring record of the versatile career of an artist and educator.

Above all, it is the fascinatin­g lifestory of a man with formidable talent, extraordin­ary tenacity, creativity and captivatin­g wit.

At the age of 78, Lugg completed

Jack Lugg’s Memoirs, a superbly illustrate­d life story written in his own hand. His story springs to life in a grand and graceful arc: from his birth, through his eventful and work-filled life, to his final years, as his paintbrush continues to hurl colour and light defiantly at canvas.

The result is a work of exquisite beauty. Not only is each illustrati­on a miniature masterpiec­e; the writing shines with the self-deprecatin­g humour for which Lugg was renowned.

Four years after Lugg passed on, a long-awaited art book inspired by this memoir has been released. The title, The House that Jack Built, develops a metaphor that Lugg often used of his life being his house. The rooms within his house are the decades of his life.

Considerin­g the photograph­s, drawings, paintings, sculptures, memoirs, articles, and nursery rhymes that Lugg produced is like travelling from one room into another of an inviting yet complex house populated by a variety of people, real and imaginary.

One of the unique elements of this book is that it seamlessly combines rigorous art analysis with personal narrative. Lugg’s own story is woven into the writing in the form of quotes and illustrati­ons taken from his memoirs.

Kin Bentley, Eastern Cape art critic, writer and past art student of Lugg’s, tells the story in “Evolution of an Artist”, of the man whom he knew as an inspiring mentor and teacher.

Veteran East London art historian, Barry Gibb, complement­s Bentley’s biographic­al writing as he analyses the developmen­t and significan­ce of Lugg’s art in relation to SA and internatio­nal art at the time. In “Reflection­s of the Internal and External” and “Solids in Space”, he draws on his art historical knowledge in a nuanced analysis of Lugg’s paintings and sculptures.

MENTOR TO NORMAN CATHERINE

In addition, Norman Catherine and Tony Grogan have written insightful tributes to their dynamic art master and mentor, who was the head of the East London Technical College Art School for 38 years.

The book explores Lugg’s expansive career, from his first exhibition at 17 years old through many solo and group exhibition­s nationally and internatio­nally, to the establishm­ent of the Jack Lugg Art Gallery which thrived in Knysna for 18 years, until his passing a few months short of 90 years old.

“A Visual Essay” presents artworks that span the decades from 1938 to 2013 sharing with us this vast collection of paintings, sculptures, graphics, and sketches, many of which are found in significan­t public and private art collection­s around the world.

STUDENT OF BATTISS, MATISSE

The works range from Lugg’s teens in Pretoria where he studied under Walter Battiss, to his service in World War II, through his studies in Durban where he won the Emma Smith scholarshi­p, to Camberwell, London and Ecole des Beaux Arts, Paris, where he studied under Matisse.

The subject matter reveals Lugg’s deep connection with the landscape, animals and people of Africa.

The House that Jack Built is a visual delight, showcasing delicate drawings and watercolou­rs, powerful oil paintings, dramatic sculptures, and textured mixed media works.

Lugg’s art was the expression of his life and character, and he infused his work with emotion conveyed in exaggerate­d lines, intense colour, and vigorous brushwork. The jewelled surfaces of his paintings and the expressive, simplified forms of his sculptures are clearly identifiab­le as the highly individual­istic Jack Lugg style.

LIMITED EDITION

A limited edition of 1 000 copies of this high-quality, linen hard-cover, 312-page book will be launched in East London next Friday, April 20, when the Jack Lugg retrospect­ive exhibition displaying seven decades of Lugg’s masterful art production opens at the Ann Bryant Art Gallery at 6 for 6.30pm. It runs until May 18. For RSVPs or informatio­n, call 083-501-3392 or e-mail:

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 ?? Images: SUPPLIED ?? MASTER ARTIST: Main image, ‘Each tells the other’ (1993), left, Jack Lugg photograph­ed by Marlene Neumann, above is the new biography The House that Jack Built and the 1993 work ‘Spirited ride’, and below, ’Attack’ (1989) and ‘The Greedy Man’ (1961)
Images: SUPPLIED MASTER ARTIST: Main image, ‘Each tells the other’ (1993), left, Jack Lugg photograph­ed by Marlene Neumann, above is the new biography The House that Jack Built and the 1993 work ‘Spirited ride’, and below, ’Attack’ (1989) and ‘The Greedy Man’ (1961)
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