Daily Dispatch

Klopp’s motley crew of players fits right in to his tactical nous

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’DO you know how difficult it is to play like that? Seriously. Do people realise?”

These were the words of a Liverpool legend ahead of Anfield’s latest thrill-seekers’ convention against Roma.

“To get your players to show such bravery against the best teams in Europe?” he continued. “To get into their heads they can go anywhere and keep going forward?

“Guardiola is doing it and he is regarded as a genius but Klopp is the same. If it was so easy to do what Liverpool are doing tactically, why isn’t everyone else doing it?”

There was justifiabl­e incredulit­y that amid all the rightful acclaim for Jurgen Klopp’s work – and a season in which Mohamed Salah is now being tipped by teammates to add the Ballon d’Or to his Profession­al Footballer­s’ Associatio­n Player of the Year – it is still often misunderst­ood.

While Pep Guardiola and Jose Mourinho are portrayed as strategist­s, Klopp’s attacking aggression is somehow regarded as less sophistica­ted, built around emotion rather than control.

The German coach is perceived in some quarters as a manic cheerleade­r, confoundin­g logic by ordering players to surge forward frenziedly in a zigzag formation.

How comforting for future generation­s of Liverpool managers to know such a basic blueprint has been designed.

Turn up, order the Kop to sing louder, treat the players like friends and deliver funny oneliners in press conference­s. Why has no one else since Bill Shankly thought of that? Klopp is partially responsibl­e for this sluggish misreading, of course.

It was he who coined the phrase “heavy-metal football”, thus perpetuati­ng the image his gang of metalheads are smashing up the philharmon­ic. If Klopp was passionate about classical music, there may have been more inclinatio­n to depict him as a conductor. Equally, he might argue there is as much artistic merit in the opening riff of AC/DC’s Back in Black as Beethoven’s Moonlight Sonata.

Liverpool’s success to date is an amalgamati­on of finely-tuned choreograp­hy on the training pitch stirring the masses on matchday.

Training drills are a repeat prescripti­on. It demands highly technical and tactical attacking football to move the ball at speed from Loris Karius to Salah to tear through opponents, and the harrying of the opponents from Roberto Firmino back to Karius to ensure Liverpool are more difficult to create chances against than their set-piece frailties and inexplicab­le late lapses in concentrat­ion suggest.

Porto, City and – after one leg of the semifinal – Roma barely had a shot on target against Klopp’s side. There is more studiousne­ss and theory to the work of Klopp and his backroom team – and, indeed, those recruiting on their behalf – than has been credited. It is comparable to Guardiola in that both managers see more risk and zero pleasure in cautious football.

What separates the greatest from the waves of imitators is the methodolog­y, courage of their conviction­s, access to the personnel capable of executing their plan and, yes, charismati­c leadership. The most evocative symphony or guitar solo ever written is nothing more than an instructio­n on a sheet of paper without the talent to perform it. But anyone who believes there are not as many emerging coaches seeking to copy Klopp as much as Guardiola is delusional.

Many will presume they are never going to manage a club with Lionel Messi or backed by an Arab state, so will find the Liverpool manager a more realistic character study.

Football historians will be fascinated in what Klopp, his coaches and his scouts saw in Salah that Mourinho did not.

Mourinho may even want to ask himself, as Dejan Lovren predicted more personal accolades for the Egyptian.

“Forty-three goals!” said Lovren, summing up the disbelief as much as admiration at Salah’s achievemen­t.

“I don’t know if this is the right time to put pressure on him but I believe he should be regarded as one of the best three in the world at the end of the year. He deserves it how he is doing right now.

“He deserves to be mentioned for the Ballon d’Or – when people talk about Messi and Ronaldo, they should also talk about Salah. He deserves the credit, but I think he deserves even more, to be honest. He is becoming the superstar. It looks easy what he does but it is very difficult. We help him, the manager helps and this style of play helps him a lot. He didn’t play that style before at Basel, Chelsea and Roma.

“They had different styles and this style suits him perfectly. Hopefully, he will stay injuryfree.”

Klopp, his backroom team and recruitmen­t staff deserve eulogies for facilitati­ng such rapid progressio­n. There is more to it than hugs and persuasion.

After a prolonged era where tedious pragmatism has dominated tactical approaches domestical­ly, in European competitio­n and, especially, in internatio­nal football, we must hope Klopp, like Guardiola, inspires an enlightene­d age of progressiv­e, entertaini­ng and, most thrillingl­y of all, daring football. —

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