Daily Dispatch

Speculativ­e fiction helps kids understand their world

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Carla Lever speaks to speculativ­e fiction author Mandisi Nkomo.

What’s the place of speculativ­e fiction – a broader term than science fiction that covers everything from superheroe­s to fantasy – in Africa right now?

It’s a big scene, just somewhat undergroun­d! Apart from certain big names that have managed to break into the pop culture hive mind, there’s a ridiculous amount of African speculativ­e fiction around if you’re willing to dig. I can’t even keep up.

You’ve said that your writing is influenced by pop tech – highly visual, graphic forms of storytelli­ng in videogames, comic books, animé and so on. What kind of feeling does this give your work?

At first it was more about creating a strong sense of the kind of mood that often comes with a lot of audio-visual platforms, or even taking the weird fiction path where plot takes a back seat in favour of cinematogr­aphy, music, themes and surrealism. It’s taken a bit of a new turn recently though.

Now I’m working on something where I’m building a whole story world around gameplay ideas, like ammo drops.

Your work interestin­gly draws from real, often under represente­d, African histories. For instance, you've made references to the Namibian border war, the TRC, corruption. How can speculativ­e fiction help us to understand or re-process our own worlds? Most speculativ­e fiction is about understand­ing or re-processing our own worlds. Authors just choose how much real life influence they want to give readers as clues to what they’re actually discussing in their work.

George Orwell’s Animal Farm, for example, was set in an almost childlike fantasy world of talking animals, but was actually a way to talk about very serious world issues. Afrofuturi­sm is very trendy worldwide right now, particular­ly with the success of the movie Black Panther. But imagining an African knowledge system that commands global respect is something many are trying to do with the decolonisa­tion project. Are there links writers are able to make where business people and politician­s often can’t? Definitely! Business people and politician­s are not necessaril­y taught to push creativity and imaginatio­n when problem-solving. Do you think we should encourage children to imagine living in different worlds, through reading more?

I do. It assists with problem-solving and increases your ability to think outside certain norms or embedded cultures.

From a South African perspectiv­e, it’s vital that children growing up in harsh environmen­ts can imagine worlds beyond those harsh realities.

What’s the best way to keep up-to-date with your latest writing?

I keep my website up-to-date whenever I get published, and post updates regularly on Facebook, Twitter and Instagram.

I’ve also started a Patreon page, where I plan to self-publish writing exclusives for paying patrons.

● https://thedarkcow.com/

● Facebook: @darkcowpro­ductions

● Instagram: @mandisithe­polymath

● Twitter: @mandisinko­mo

● https://www.patreon.com/thedarkcow

What online resources are out there for fans of African speculativ­e fiction who might not have access to published books?

The African Speculativ­e Fiction Society is an excellent source. They maintain a list of novels to works readily available online at : http://www.africansfs.com/ resources/published

Why is telling – and reading – our own stories in Africa so important?

Well, for one, history tends to be written by the victors, but now we have this little thing called the internet, which is making it harder to erase under represente­d voices. We have to make an effort to not get written out of the narrative by those with more money and influence.

Reading and telling stories with your children is a powerful gift to them. It builds knowledge, language, imaginatio­n and school success! For more informatio­n about the Nal’ibali campaign, or to access children’s stories in a range of South African languages, visit: www.nalibali.org.

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