Mail & Guardian

‘Four-letter word’ a film

South African ‘chick lit’ under the pen of Nozizwe Cynthia Jele is now taking on the movie industry

- Mpho Tshikhudo Film Festival Cape Town Fringe Festival

Barring her great showing at the 2008 BTA Anglo Platinum short-story competitio­n in which she won first and fourth prize, Nozizwe Cynthia Jele was a relative unknown when she turned in the manuscript for her novel Happiness is a Four-letter Word.

There was also an outside chance that the book, like many other books of the day, would fall through the cracks. That was more than four years ago and a lot has happened since then.

The book has been awarded the 2011 Commonweal­th Writers’ prize for best first book in the Africa region and the M-Net Literary award in the film category.

And, in what is one for the books, so to speak, the novel is the first book by a South African black female author to be adapted into a movie. Filming started in mid-July in Johannesbu­rg.

Tell me about the writing process. Was it a breeze?

I discovered writing late in life. I was reading a lot of books written by women for women. You know, books classified as “chick lit”. I loved the style, relevance of the issues to my situation and the humour. It took more than three years to write Happiness is a Four-letter Word, simply because I wrote when I wanted to. There was no pressure from a publisher or readers or even myself to complete the book.

What inspired the book?

Books with strong female characters like Bridget Jones’s Diary by Helen Fielding, Good Grief by Lolly Winston, various works by Marian Keyes and Jennifer Weiner, and the television series Sex in the City, which was broadcast between 1998 and 2004. But before all of that there was Terry McMillan’s Waiting to Exhale.

Did you see the book eventually getting adapted for a screenplay?

Not initially, but in 2011 the book won the M-Net Literary award for film — meaning a novel with potential to be adapted into a visual medium. Bongiwe Selane, a producer, was in that year’s judging panel. She loved the book and wanted to take it on as her project. The rest is history. As it panned out, Bongiwe eventually got the film rights to the novel.

Was it difficult selling the film rights? Also, just on a lighter note, what did you do with the money?

No, it wasn’t difficult to sell the rights but there was a legal process that my publisher, Kwela Books, and the production company had to follow. I’m not rich yet if that’s what you want to know ... maybe when the movie is released and does extremely well in theatres then I can have something to say.

Did you have to do any pre-writing reading?

Some of the books I mentioned above helped to shape the style that Happiness took.

What informed the plots? How much of the story is biographic­al?

It wasn’t difficult to plot. In fact, there were too many scenarios I could consider for each character’s journey. The story itself is a combi- nation of everyday life experience­s and observatio­ns, mostly not my own. There are stories everywhere.

Now that the book is turned into a movie, are the characters panning out as you imagined them?

Yes, I’m happy with what I’ve seen so far. I believe that every person cast deserves to be in the movie. I understand casting was rather difficult as many actresses and actors were keen on the roles.

Thabang Moleya, whose accolades include a Vuka awards, a South Africa Film and Television award and an Emmy nomination, is the director of the film. What do you think is his real appeal?

He is obviously talented. I used to be a fan of Jacob’s Cross, which he directed.

Do you feel Khanyi Mbau, Renate Stuurman and Mmabatho Montsho are the perfect people for the lead roles?

They are the right age for the characters in the book. I didn’t expect them to be so beautiful — you came on set, you know what I mean.

There has been considerab­le fanfare around authors such as Vina Jackson (actually two writers) and EL James (real name, Erika Mitchell) who wrote the trilogy. What have been your feelings on that type of literature?

Not the type of books I read, but I’m all for variety.

Steven Spielberg is said to normally take long morning walks as a ritual before his writing process. Can you tell us about your routine? Do you have any rituals to prepare you for the writing at hand?

I don’t have a particular routine. I sit and write on my laptop, iPad, serviettes, whatever is available at the time. Maybe when I have made enough money and can live off writing then I can have such routines.

How do you deal with bouts of writer’s block?

You have to keep on writing. Start a new chapter or something completely new if you’re getting stuck.

What’s next?

I’m working on an untitled second novel. It’s a family story on coping with grief after losing a family member, and moving on. While it’s different to Happiness in style, the common themes of love, relationsh­ips with family and friends, and work remain.

is back with the finest poets from around the world. California-based, Kenyan-born poet, writer and teacher Warsan Shire will headline the event. The line-up also includes Kabomo, Flex Boogie, Mandi Poefficien­t Vundla, Koleka Putuma, Neil Atlantis (formally known as Blindfold) and Chef & the Kitchen. I n t h e p r o g r a mme i s t h e 2 0 1 5 Poetry League and Slam For Your Life finals. October 3. Soweto Theatre. R70 all day pass. sowetothea­tre.com

Visit wordnsound­livelit.wordpress.com

Pretoria

The 22nd annual

kicks off in Pretoria this weekend and then moves to Cape Town (October 9–10) and Johannesbu­rg (October 16–18). This year’s schedule features Until the Break of Dawn, Tamako Love Story, The Kirishima Thing, Wood Job! and My Little Sweet Pea. All films are in Japanese with English subtitles. October 2–4. Cinema Nouveau, Brooklyn Mall. Free. Tickets will be available at the box office one hour before the screening. Visit animatedme­anderings.com

Cape Town

The features more than 70 theatre, dance, performanc­e art, physical theatre and music production­s. It showcases works by independen­t artists and companies, with a mixture of new and well-known shows that performed at this year’s National Arts Festival in Grahamstow­n. Until October 4. Fugard Studio Theatre, Cape Town City Hall and venues in the city centre.

and thefugard.com

 ?? Photo: Delwyn Verasamy ?? Female fiction: Nozizwe Cynthia Jele writes about love, work, family and friends.
Photo: Delwyn Verasamy Female fiction: Nozizwe Cynthia Jele writes about love, work, family and friends.

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