Mail & Guardian

How we conspire against SA’s nationhood

African agency across a stratified society has to be supported and developed by institutio­nal muscle

- Khumisho Moguerane

In her new book, Why We are Not a Nation, former SABC deputy chairperso­n Christine Qunta asks a pertinent question about deepening social schisms in South Africa, not least structural inequaliti­es in the economy.

Qunta’s roots are in the Black Consciousn­ess Movement, and she served on various national platforms during Thabo Mbeki’s presidency.

In the book, she presents the argument that despite every effort at reconcilia­tion by black South Africans, their white counterpar­ts remain aloof and arrogant. We are locked, in her words, in “a ritual dance of deception: white entitlemen­t and black docility, laced with resentment on both sides and occasional public eruptions”. What she sees ahead is conflagrat­ion, a violent eruption of racial war.

Qunta is also concerned with African forms of self-presentati­on, particular­ly among black women. She provides numerous examples of how the beauty industry privileges whiteness, and thus encourages hazardous practices such as skin lightening. Qunta does not shy away from the politics of hair — the straighten­ing of curly hair and the wearing of wigs and weaves is described as a social pathology akin to what Frantz Fanon described as “the wish to be white”: a “neurotic situation” in a society where institutio­nal power depends on the “inferiorit­y complex” of the colonised.

Even as she turns to the more autobiogra­phical material in the book, based on her profession­al life, Qunta relays one argument in no uncertain terms: we are not a nation because racism is perpetrate­d by whites and unchalleng­ed by blacks. Structural and ideologica­l racism affects institutio­nal life and personal choices. This is the tragedy of our post-apartheid condition, she argues.

The text strikes the right chords in its reference to some of the icons of the historiogr­aphy of race, power and nationalis­m in South Africa, particular­ly Shula Marks and Ben Magubane. These two South Africanist­s, despite drawing from different historiogr­aphical traditions, shared at least one thing in common: they insisted that Africans are social actors making their own history, albeit not under conditions of their own choosing.

Marks and Magubane were two of the critical voices of the 1970s. They lambasted traditions of scholarshi­p that did not put African agency in the foreground of analysis. How do Africans see themselves; how do they understand their circumstan­ces; how do they interpret their actions?

Qunta’s conceptual­isation of the African is strikingly different. Although she highlights their great achievemen­ts in precolonia­l society, her conception of Africans under successive colonial, apartheid and democratic dispensati­ons is of a people so downtrodde­n they have lost every sense of their identity and the capacity to imagine their own future.

Marks’s work confirmed that precolonia­l southern Africa was not an “empty space” when Europeans penetrated into the interior. Qunta makes good use of Marks’s critique of European discourses of precolonia­l Africa as an unoccupied and savage place to argue that African civilisa- tions predate European imperialis­m, and so there is no reason Africans should accept European hegemony – cultural and otherwise – especially in a post-apartheid context.

But Marks’s work did not stop there. She wrote compelling histories of how African society in what is now KwaZulu-Natal continued to make and remake itself under colonial and later apartheid rule. These are histories Africans can be proud of, because they show that a range of Africans, from the first president of the organisati­on that later became the ANC, John Dube, to Chief Solomon kaDinuzulu, could and did take advantage of colonial dispensati­ons to preserve and strengthen their own traditiona­l institutio­ns, and to elaborate their own nationalis­t agendas.

But these are also uncomforta­ble histories, because they reveal ambivalent and layered African identities that walked a tightrope between multiple forms of resistance and ambiguous politics of collaborat­ion.

Magubane had little patience for the diminution of African agency in scholarshi­p, especially in academic discipline­s such as anthropolo­gy. He argued vociferous­ly against anthropolo­gists who too hastily interprete­d Africans’ adaptation to European commoditie­s and forms of self-presentati­on as “acculturat­ion”. For Magubane, it was not Africans’ choices, but rather anthropolo­gy’s explanatio­ns of what these choices meant, that gave Europe so much power.

In one essay, he remarked that when Africans “drink bottled water, listen to recorded music, use furniture in their houses and wear suits, they are merely taking their place in the scheme of things as they are”. He stressed that they are “not imitating anybody” or yielding to the standards of the other. Magubane argued for more complicate­d and ethnograph­ic analysis of how Africans, as highly innovative social actors, understood their engagement with the products, representa­tions and cultural repertorie­s of the European “other”.

In Qunta’s book, by contrast, Africans in a post-apartheid dispensati­on are so structural­ly constraine­d, so lacking in agency, and evince such negligible changes in their historical condition and conception­s of themselves, that interventi­ons “from above” are required to help them to enter into the fold of nationhood.

This view includes her call for a reparation­s fund towards which white South Africans would voluntaril­y contribute. This, of course, is not necessaril­y a bad idea as a token of goodwill, also suggested by Archbishop Emeritus Desmond Tutu.

The point, however, is that proffering agency to the category “Africans” requires an exploratio­n of how they understand themselves and engage with their reality. Even the cruel story of their racialisat­ion – that is, the making of their “blackness” – is a convoluted tale of many conjunctur­es, including the moments when, through their own acts of self-affirmatio­n, black became beautiful.

In the last section of the book, the only part in which Qunta foreground­s Africans’ agency, we get an opportunit­y to grapple with the ironies of race and nationhood. The “birth” of any nation is based on a founding mythology and a set of “inventions” – cultural, linguistic and so on – to accompany claims of sovereignt­y and independen­t statehood. Ours was the myth of the rainbow nation, with its new tradition of nonraciali­sm.

Qunta relays how, as one of the first women to own a firm specialisi­ng in corporate law in South Africa, she used the legally prescribed terms of equity and nonraciali­sm to push back against white-owned firms that controlled this field of law and were resisting change. Based on the details of her profession­al biography, and her interpreta­tion of hers and others’ actions, this section of her book illuminate­s that the institutio­nalisation of nonraciali­sm mediated the successful consolidat­ion of a powerful black middle class after 1994.

The irony is striking, for this suggests that part of the answer to why we are not a nation is not simply, or only, white resistance but also Africans’ own agency. The institutio­nalisation of nonraciali­sm enabled Qunta and others to craft a new class of Africans: a highly aspirant, self-conscious and exclusive community.

And so, clearly, investment­s in a nonracial society do and can pay off — but only if the institutio­nal muscle that aided the agency of Qunta and others can be as persistent and resilient in supporting different strata of Africans. These historical actors have their own conception­s of aspiration, their own imaginatio­ns of dignity and their own intricate conviction­s of what makes a nation.

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