Mail & Guardian

Eatre journey

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But the most anticipate­d of Foot’s work to be presented at this year’s festival is her latest play, The Inconvenie­nce of Wings.

This is different from both Karoo Moose and Tshepang in that it is not

social or political statement. It is dark and more personal. I feel like

have moved into a different space with it,” she says.

And its premiere is a point of some anxiety for Foot. “It’s brand-new. We’ve never shown it to an audience and I am keen to see how it will be received.”

Writing it, she says, was also different to her previous work.

It was a very personal journey. Dark, difficult and research-intensive,” Foot explains, describing the story of friendship, dysfunctio­n and addiction centred around a protagonis­t diagnosed with bipolar disorder and her husband’s struggle find a cure for her. Inspired by Addictive Thinking, book by Abraham J Twerski, the play explores themes of compulsion, addiction and denial; the writing was amplified by Foot’s experience with her father’s dementia.

“In a year when the National Arts Festival sharpens the spotlight on women writers, directors, choreograp­hers and artists, Lara Foot’s contributi­on to South African theatre both in South Africa and abroad positions her as a leader in the field,” says Ismail Mahomed, the National Arts Festival artistic director.

This year, 80% of the festival’s main programme is made up of work written, directed, curated or headlined by women — and Foot is leading its charge.

“She is one of South Africa’s most prolific theatremak­ers,” Mahomed says. “Her commitment and passion for strategica­lly devised developmen­t initiative­s has also created opportunit­ies for many emerging artists to be catapulted into the mainstream. Presenting her as the 2016 featured artist honours both her achievemen­ts and her contributi­on to the sector over the past 20 years.”

Foot is looking forward to yet another pilgrimage to South Africa’s arts mecca. “It’s a very strong programme this year and I hope that, between the openings of the three plays and the interviews that come with them, I will be able to see some of the works,” she says. “This year, my daughter will be there with me and I am really looking forward to enjoying time with her and watching fantastic theatre.”

 ?? Photo courtesy Rolex ?? Lara Foot: ‘I enjoy the process of working with actors, sharing and sculpting something new.’
Photo courtesy Rolex Lara Foot: ‘I enjoy the process of working with actors, sharing and sculpting something new.’

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