Mail & Guardian

Cut-cut, kill-kill, stab-stab: A South African love story

- Lady Skollie

Iam angry about a lot of things. Most pertain to existing on this planet as a womxn. My anger takes many forms, usually online tirades, sometimes scathing comments wrapped in humour, sometimes garish watercolou­r drawings that depict genitals. I don’t know how to translate all of this anger into action — trying to focus my energy into making the world a better place for womxn when it has never been a great world for us to begin with. The beginning. We are made from your rib, apparently. That was the beginning. The leftovers of half-eaten rib. Usually I throw my leftovers in the trash or I hand them over from a car window as if I am going to change a life. Like a messiah distributi­ng stale food, demanding that you be grateful.

I AM SO GRATEFUL, GOD. PLEASE PROTECT US FURTHER.

Aren’t you grateful to be alive? Aren’t you grateful that you’re okay? You haven’t been defiled. I am so grateful. I tsk-tsk in pity when I hear of your terrible tale, secretly thanking another moonrise that it wasn’t my sister, my mother, my wife.

There is this fantasy (nightmare) that I share with many other South African womxn. I am in a dark space, unfamiliar; a series of unfortunat­e events brought me here. There is a man (or men). I feel their energy and I know I have to get away. They approach me, and a deep calm takes over. I defeat them. My anger and my intuition carried me through.

Afterwards my friends and I celebrate, cheering to our victory over toxic masculinit­y.

Much merriment ensues. We are triumphant.

I don’t have to tell you what would happen in reality. We all know one or more womxn that have experience­d reality. Objects stuffed in places they shouldn’t be, teeth like confetti around a crushed head, bruised throats and wrists. “But had you been drinking?” Being a womxn in South Africa is playing the waiting game. With a rape and femicide rate five times higher than the global average, we are all waiting. While we wait we have lots to keep us busy — lighting another candle at another memorial. We are lighting candles into eternity.

I am so confused at this practice of lighting candles. I want to tip the candles over and burn everything. Burn the synthetic tulle used to make funerals look expensive and burn those chrysanthe­mum burial arrangemen­ts until they reach the foamy green square in the center.

I want everything to burn so that we can start again.

The papaya of womxnhood is being pierced from every angle, seeping everything around it with s t i c k y , c o n g e a l e d mi s e r y . T h e knives are being driven in, deep to the hilt. Tips poisoned so that we can rot from the center. Bleeding and bleeding and bleeding with nothing to stem the flow.

Every eight hours in South Africa I say a prayer because another one was subjected to a game of cut-cut, kill-kill, succumbing to the hands that once tenderly stroked and tricked.

I am so angry and I don’t know how to tell you without smashing things. I am so angry.

I understand that you also have struggles like fucking up your high heels on cobbleston­es and an aircon that gave you that cold, but Patricia Chueu, we have bigger battles than yours.

Battles that Sinoxolo Mafevuka, G i f t Ma k a u , N o x o l o N k o s a n a , Lucia Naido, Reeva Steenkamp, Susan Rohde, Duduzile Zoza, Motshidisi Melamu, Anni Dewani, Thembilihl­e Sokhele, Pinky Mosiane, Jayde Panayiotou and that lady that you know, that aunt of mine, the girl that went to university with me, your sister and all of us in the waiting room are eager to see the fruits of.

Please join me and get angry. Because begging never helped.

 ?? Photo: Simiato ?? Art and artist: Artist Lady Skollie’s striking Abafazi cover artwork depicts womanhood as a papaya surrounded by okapis.
Photo: Simiato Art and artist: Artist Lady Skollie’s striking Abafazi cover artwork depicts womanhood as a papaya surrounded by okapis.

Newspapers in English

Newspapers from South Africa