Mail & Guardian

An academic revamp is necessary

The time has come to reimagine the country’s academic landscape and actively pursue it

- Adam Cooper Dr Adam Cooper holds a PhD in education policy studies and is a research specialist at the Human Sciences Research Council

Apostgradu­ate student in an English department at a historical­ly white university recently told me that the attendance of many of the white students in a class on African diasporic literature had wavered, because students thought that the course was “not literary enough”. The lecturer, who was black, had included a number of slave-written narratives as part of the curriculum.

Student attendance may be inconsiste­nt for a variety of reasons, but it seems likely — considerin­g various insights from our campuses over the past year — that if the lecturer had been an older white male, the students would have showed him a great deal more respect.

In short, it appears as though a group of highly educated white students were suspicious of the curriculum constructe­d by an excellent black scholar because they did not consider slave narratives to be “literature”.

Despite what the students may think, slave-written texts have for many years been considered part of the literary archive, constituti­ng an entire area of study. Harvard scholar Henry Louis Gates coedited a book on the topic as early as 1984.

Slave narratives encapsulat­e particular aspects of the slave experience, such as patterns and restrictio­ns of movement and the formation of symbolic and collective memory. These characteri­stics have undeniably contribute­d to the distinct literary trope that is African-American fiction and nonfiction, shaping the work of people such as Ralph Ellison, WEB du Bois and Toni Morrison.

Slave narratives embody a historical­ly contingent domain of human experience and have contribute­d to a unique creative strand of literary expression, raising important questions of what it means to be human.

Mainstream­ing slave narratives formed part of a more general set of changes that have occurred in humanities curriculum­s over the past 30 years. In the United States, liberal arts programmes have been transforme­d since the early 1990s, as black studies scholars, gender and queer theorists and postcoloni­al studies have challenged the hegemony of the European enlightenm­ent tradition, from “Socrates to Wittgenste­in in philosophy, and from Homer to James Joyce in literature”, as philosophe­r John Searle puts it.

This tradition is not inclusive or representa­tive of the entire human experience. Nor does it exist in a vacuum, itself produced in particular historical and political contexts, with associated cultural biases and interests that need to be problemati­sed in assessing these texts, their authors and the knowledges they claim to produce.

Returning to the English department course at the historical­ly white South African university, the problem is not only with the students, although their actions appear to be problemati­c. Other, larger educationa­l, institutio­nal and national forces are also worth considerin­g.

The elite education that most white South Africans receive at school and university is bound up in a particular, dominant Western approach to scholarshi­p that arrogantly asserts specific cultural traditions, literary forms and scholarly convention­s as the only acceptable practices and texts that may produce academic knowledge.

Our universiti­es face bigger challenges than removing statues and renaming buildings, although these changes are certainly necessary. The more difficult questions relate to renovation­s needed in the intellectu­al architectu­re, the seemingly immovable knowledge structures and vested interests that resist epistemolo­gical change.

The students who were sceptical about slave narratives are based in a humanities faculty of a university that, despite decades of verbal commitment to transforma­tion, has actually stagnated: as internatio­nal trends have challenged racialised, class-based and gendered academic biases, leading to the creation of multi- and interdisci­plinary department­s that address these issues, the humanities faculty at the institutio­n in question remains steadfastl­y committed, almost exclusivel­y, to pursuing traditiona­l disciplina­ry knowledge.

It would be interestin­g, for example, for English department­s to be merged with African language department­s, creating unified department­s of literary studies. Concepts such as “translatio­n” could be explored in a literary studies department, with black students — most of whom are multilingu­al — likely to excel in this field, because they are armed with the kinds of skills required to address this topic.

Reimaginin­g the ways that universiti­es are structured enables radical knowledge production questions to emerge. Rather than dividing our academies into enclaves that mimic and uphold historical traditions from elsewhere, perhaps it is time to rethink how we structure our work, as we try to forge interactiv­e networks that can tackle the pertinent questions we face in the current conjunctur­e.

This may require academics to embrace new ways of being, something that could be difficult for a group that often resists change. A creative academic revamp may be necessary if we want to make sense of this place we find ourselves in, as we try to discover who we are.

 ?? Photo: Ben Stansall/AFP ?? Free minds: A maquette of a statue recalling enslaved Africans who died during the slave trade. The author makes the example of merging English and African literature department­s as an innovative way to restructur­e local academia.
Photo: Ben Stansall/AFP Free minds: A maquette of a statue recalling enslaved Africans who died during the slave trade. The author makes the example of merging English and African literature department­s as an innovative way to restructur­e local academia.

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