Mail & Guardian

The image of a versatile artist

In painting, filmmaker and actor Mmabatho Montsho found a different medium to express the need to create, propelled by urgent messages that haunted her from the other side. She spoke to Milisuthan­do Bongela about her paintings of Methodist Church women

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ANgaka. I am both. I practise the African religion as understood through Bo Sometime late last year, in the dead of night, the image came to me. Like it was haunting me, it would not go away. First I thought it was a demand for a story, a script and so I wrote the script, thinking I will find peace. But the image was still there, haunting.

I started to sketch it on paper and only then did I find peace. Like that, one thing led to the other. So, in a way, it was not so much the focus of my eye but a struggle with an image that was haunting me. Although the struggle to find peace with an image that was haunting me ended up in a painting, the truth is, in my head, it was never about documentin­g something of an experience of people out there, black women in particular. I don’t deny that it could be read that way. In any way.

I’m not a stranger to those experience­s. I have interacted intimately with those experience­s. The women in my family have always been worshipper­s themselves.

I always want to give the observer of my work the freedom to decide what the image does to them. That is the way of the artist.

But I couldn’t say I was documentin­g experience­s that I had come across as much as documentin­g a struggle with an image that was haunting me.

This is expressed in the painting by how I isolate them, often in empty canvases so that they are not read in relation to objects but rather in their relationsh­ip either with themselves, with each other and with the frame. a colour of fire that represents renewal. Red is also a colour with political connotatio­ns.

Something is to be said about a group of women wearing the colour red in religious attire. While colours like blue, green and yellow may represent calm serenity and peace, red oozes action, passion, courage, daring, audacity and also truth. And those are the most-needed qualities today. tle to do with experience­s that I’m transposin­g into the frame, or that I am documentin­g. It is for me the release of an image that was haunting me. I was chasing peace.

As a filmmaker, I appreciate how a medium can change or influence how we perceive things, so I find your observatio­n intriguing.

Again, depending on our own experience­s, we will look at the images and feel and see a whole universe that will differ from one person to the other. The power of an artwork is precisely that I must surrender it to be experience­d in that individual­ity. So your reading of “our mothers” into it is a gift I thank you for. I have always been interested in fine art. I have taken art classes since primary school and, in my high school years, art history as well. So I have always painted. I wouldn’t say this is my coming-out work.

I have never exhibited or sold any of my work, nothing like that. I have always painted because I am drawn to resolve a struggle that I might have with images, stories, thoughts, feelings and experience­s. I have also given away paintings as gifts to loved ones.

 ??  ?? Why did you choose to focus your eye on Methodist Church women in your paintings and photograph­s?
Why did you choose to focus your eye on Methodist Church women in your paintings and photograph­s?
 ??  ?? What is it about the way black women prepare themselves for prayer and worship that makes you want to document them?
What is it about the way black women prepare themselves for prayer and worship that makes you want to document them?
 ?? Photo: Delwyn Verasamy ?? Artistic vision: Mmabatho Montsho’s paintings of Methodist Church women started with an image that came to her in the middle of the night.
Photo: Delwyn Verasamy Artistic vision: Mmabatho Montsho’s paintings of Methodist Church women started with an image that came to her in the middle of the night.
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