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Book Fair and Literary Festival: ensuring the literacy of future nations

A closer look at ways of preserving indigenous knowledge systems

- Sfiso Buthelezi

Acrisp morning on the last day of September saw the birth of a new event on the South African literary calendar. Future Nation Schools, a game-changer in the South African basic education landscape launched a Book Fair and Literary Festival at their Lyndhurst campus. It featured engaging conversati­ons from establishe­d authors such as Unathi Magubeni, Dr Judy Dlamini, Malaika wa Azania, Athambile Masola and Sipho Noko. The festival engaged on the future of African literature, its content, creation and distributi­on to the masses.

The book fair tackled a variety of topics that affect our nation. Indigenous people often have rich and diverse cultures based on a profound spiritual relationsh­ip with their land and natural resources. Dichotomie­s such as nature versus culture do not exist in indigenous societies, so why do such dichotomie­s exist in the education of indigenous learners? This was the question focused on by arts practition­er Dr Sipho Sithole.

Indigenous people do not see themselves as outside the realm of nature, but as part of nature, and they have their own specific attachment to their land and territory, and their own specific modes of production based on a unique knowledge of their environmen­t. The introducti­on of indigenous dances into biology classes, for instance, may be an engaging way to learn about human physiology and the relationsh­ip between the muscles.

Sizwe Mpofu-Walsh, scholar, author and hip hop artist, shares similar views with those of Sithole. It was discovered by the United Nations in the creation of the Sustainabl­e Developmen­t goals that there are millions of young people living in slums and inner cities who can be reached using hip hop as a “language”. In various institutio­ns in the US, some courses of study are based on celebrity, studying Lady Gaga’s marketing strategy or “the politics of Beyoncé and the popularisa­tion of black feminism”. Teachers are using millennial rappers to conjure up interest in the works of Wordsworth and Shakespear­e.

This then raises the question: is Shakespear­e still relevant in the quest for a decolonise­d 21st Century African education? The answers vary, but ultimately it is important to note that the writings of Shakespear­e were a means to transmit certain messages and values, and we must adapt these lessons to fit into an African context, where we learn about themes of betrayal, love, agony, fate, etcetera from characters who are true reflection of ourselves, to have representa­tion in the stories we read. Mpofu-Walsh recently simultaneo­usly published a book and hip hop album titled Democracy & Delusion, speaking about politics to a youth that listens to hip hop. This is a true definition of decolonisi­ng education, making the essence of the message accessible not only to the privileged but to everyone through the use of technology and innovative ways of teaching.

Nali’bali is a campaign created by Jade Jacobson and her team. It utilises media such a newspapers and radio to cultivate a culture of literacy and to discover new means of distributi­ng African books and related content. The publishing and distributi­on industry has been controlled by a few individual­s who in some cases exploited writers by giving up 80% to 90% of sales revenue to distributo­rs and sellers. There was suggestion of developmen­t of more “informal” methods of distributi­ng books arise — books are being sold at traffic lights, spaza shops, markets, street corners and small book dealers, creating increased access to local content at prices fair to the author and reader.

The classroom is not the only place to learn. Children need to immersed in a culture of making, designing and engaging in a method that is more than just the traditiona­l “sit down and read”. It is this approach that Sizwe Nxasana, co-founder of the Future Nation Schools emphasises at Future Nation Schools — a culture of project-based learning, where the classroom moves from being “indoctrina­tion centres” to being a part of an institutio­n of progressiv­e and engaging learning.

In many indigenous cultures, social and political institutio­ns are part of the cosmic order, and it is on the basis of their worldview, beliefs, values and customs that indigenous people define their own forms of governance, as well as their customary laws and norms. In his presentati­on, Sipho Noko spoke of the importance of writing academical­ly in African languages. His talk was aptly facilitate­d by Hleze Kunju, who this year became the first to publish a PhD in IsiXhosa, his own language. Achille Mbembe’s was quoted, directly referencin­g the situation faced by many previously colonised people: “A negative moment arises when new antagonism­s emerge while the old antagonism­s have not been resolved”. This is the plight of the African learner who, in the quest for decolonisa­tion, realises she lacks command of her mother tongue, while struggling to conjure a good command of the English or other colonising language.

Another critique raised on the day was that themes ranging from science to sociology have been seldom explored in indigenous languages. People are their language and the creation of the accurate epistemolo­gy of our systems is necessary for the preservati­on of these languages, their pasts and futures.

A book exhibition and sale was an all-day feature; establishe­d and start-up publishers displayed their wares at the book fair. Various authors such as Thando Mqqolozana and Malaika wa Azania could be spotted in the vicinity. Azania gave a presentati­on on young female authors and representa­tive forms of existence. “It is a tragedy that we do not celebrate writers such as Noni Jabavu, who was a female journalist and writer in the 60s, crossing between Africa and the then diaspora with her typewriter. An effort is being made to recover some of her manuscript­s, which are a necessary heritage for South Africa. The black writer is diverse and not the one-dimensiona­l figure imagined by European gatekeeper­s, who prefer a certain kind of black writer...”

Dlamini’s book Equal But Different was the subject of a panel discussion about gender equality in education with author Khaya Dlanga. The book narrates women leaders’ stories, sets contrasts and establishe­s similariti­es in the daily successes and struggles of women across the spectrum.

As Bra Hugh Masekela said “We don’t want a situation where our children are [only] listening to indigenous languages in museums, because no one speaks or engages the language to develop them. And when others ask our children who they are, they reply with ‘we used to be African.’”

It is important that educationa­l institutio­ns such as the Future Nation Schools and Sifiso Learning Group garner support to create and protect decolonise­d forms of expression and the transmissi­on of beneficial knowledge for education.

 ??  ?? Above: Sizwe Nxasana and Dr Judy Dlamini have donated R20 000 to five schools in Alexandra township to improve their library services. Below: Bra Hugh Masekela signs a copy of his book Still Grazing: The Musical Journey of Hugh Masekela for a young fan...
Above: Sizwe Nxasana and Dr Judy Dlamini have donated R20 000 to five schools in Alexandra township to improve their library services. Below: Bra Hugh Masekela signs a copy of his book Still Grazing: The Musical Journey of Hugh Masekela for a young fan...
 ??  ?? Photos: Sfiso Sibanyoni
Photos: Sfiso Sibanyoni

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