Mail & Guardian

One man’s lonely battle to save CAR’s heritage

- Simon Allison

The national museum of the Central African Republic has seen better days. Located on one of the diagonal dirt roads that bisect the boulevards in Bangui, the museum is housed in a ramshackle doublestor­ey building that used to be the residence of Barthélemy Boganda, the country’s first president.

Today, the building is falling apart. The walls are cracking, the window frames are warped, and the cream and mud-brown paint job is peeling off. Worst of all, the roof leaks, endangerin­g thousands of priceless historical artefacts.

It’s Abel Kotton’s job to preserve and, eventually, display those artefacts. He is the director of the museum, with a mandate to catalogue the collection, and turn the museum once again into a proud showcase of Central African history.

It is a daunting task. “This museum is the country’s ancestral heritage. It’s meant to bring the country together. But right now, it’s closed,” he said.

His office is on the ground floor, his simple wooden desk perched in front of a stone wall. The wall itself, patterned to resemble leopard print, is a relic of an altogether more ostentatio­us era.

Opened in 1966, the museum brought together items of artistic, cultural or archaeolog­ical significan­ce from all 16 of the country’s provinces.

But in 2014, as civil war broke out — an ongoing conflict — the exhibits were hastily boxed up to prevent looting or damage. The museum was shuttered and has yet to reopen its doors, despite the fading sign outside that proclaims that opening hours are from 9am to 3.30pm.

Kotton has a lot of work to do. “First, we have to fix the leaks. Then secure the windows. Eventually, we want to build a new foyer to welcome visitors, maybe a coffee shop for refreshmen­ts and a souvenir shop so you can buy something on your way out.

“And we need a website. Museums must be virtual these days. Have you ever heard of a museum without a website?”

Kotton estimates that the complete overhaul will cost 70-million CFA francs. “We’re looking for partners who can help us rehabilita­te the museum,” he says.

The crates in which the collection was so hastily stored are upstairs. They look like oversized wooden coffins, and there are dozens and dozens of them. Many of the pieces inside have lost their labels; it will be difficult, if not impossible, to catalogue them again.

The few that have been unpacked, however, reveal an extraordin­ary wealth of history.

The artefacts include Puehl milk containers, traditiona­l handmade rifles, a collection of cooking utensils from the marginalis­ed Pygmy community and all kinds of traditiona­l jewellery. There are one-of-a-kind tools, decoration­s and souvenirs from all over the country, and from each of its many ethnicitie­s, all gathering dust and in danger of decay from being exposed to rain and humidity.

In one corner, a taxidermis­ed gorilla stands tall; in another, the official imperial emblem of Emperor Jean-Bédel Bokassa leans casually against the wall.

“That’s why I won’t authorise you to take photograph­s up here,” says Kotton. “To have the imperial emblem on the floor like that strips the emperor of his dignity. We are working here to restore the dignity of our history.”

Outside, in the museum’s unkempt, untended garden, Kotton dares to imagines what his museum could become. “In time, this will be a proper museum,” he says. “People will be coming here from all over the country. Muslims, Christians — it doesn’t matter; they will come here to learn.”

But now, with so much work still to be done, Kotton’s vision feels far from reality. “The museum itself is a display case,” he says. “A display case for a country.”

As it stands, the national museum’s display is disorganis­ed, damaged and in grave danger of further deteriorat­ion. It’s an all-too-apt metaphor for the country itself. The Kenya Wildlife Service has begun counting the herds of elephant, buffalo, zebra and giraffe in the Laikipia, Samburu, Isiolo, Marsabit and Meru regions of northern Kenya. It will take a week and 15 aircraft to complete the survey, which will be used to evaluate the success of Kenya’s conservati­on efforts. So far, these have seen an increase of giraffe and elephant by 49.5% and 4.9% respective­ly.

Somaliland gets a head

The state of Somaliland has elected a former air force pilot and rebel commander, Musa

Bihi Abdi of the ruling Kulmiye party, as its third president since breaking away from Somalia in 1991. The election had originally been scheduled for 2015 but was delayed by political unrest and severe drought. Before last week’s vote, Abdi pledged to boost women’s participat­ion in politics and introduce compulsory national service for high school and university graduates.

Strike-busting strike

Three Guinean teachers were arrested when they tried to organise a strike for a salary increase. Their arrest incensed other teachers and pupils, who went on strike. They erected barricades in the capital Conakry, clashed with security personnel and closed down major parts of the city. They called for President Alpha Condé to release the teachers and to stop sabotaging and politicisi­ng schooling.

Life after Museveni

Ugandan President Yoweri Museveni told believers at a fundraisin­g event for the rehabilita­tion and expansion of the Lira Cathedral that he does not fear death because he will defeat it with his resurrecti­on. The president recalled the resurrecti­on of Jesus Christ: “He gave all of us hope that we shall resurrect ... If there is no resurrecti­on, there is no Christiani­ty.”

 ??  ?? Heritage house: Central African Republic national museum director Abel Kotton faces a tough task to rehabilita­te the ramshackle building that is home to thousands of historical artefacts.
Heritage house: Central African Republic national museum director Abel Kotton faces a tough task to rehabilita­te the ramshackle building that is home to thousands of historical artefacts.
 ??  ?? Photos: Simon Allison
Photos: Simon Allison

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