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Thabiso Sekgala

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‘Second Transition is the series of images that I’ve photograph­ed in the areas around the mining town of Rustenburg. Rustenburg lies in the North West, one of the biggest platinum producing areas in the world. The region has been in a state of transition for the last 100 years. The transition­s started in the year 1890, when the chief of the Tswana tribe of Bamagopa bought back their land, about 40 kilometres away from Rustenburg, from the white settlers called Brits. Currently, mining companies own most of the land around these towns.

The majority of the people around here survive by working in these mines where working conditions are extremely poor. Second Transition is a term that refers to the new phase of negotiatio­ns after the apartheid era.

In the wake of the efforts to settle the inequality of apartheid, the ANC has described this new initiative to negotiate the continued economic inequaliti­es in South Africa as the second transition. Many black people in South Africa believe that the first transition in 1994 was a betrayal, because more people than ever still live in poor conditions like they did during apartheid.

Last year (2012) in August, in a

Loding, former Kwandebele,

Bôna,

town called Marikana, the police killed 34 miners during a protest for better living conditions. For me this event was a reminder of the cruel system that continues to imprison poor people in the cycle of poverty. What happened during apartheid happens even now in the new democratic state. For me, mining and land ownership are the core issues when it comes to the second transition.

The photograph­s in the series act as a symbol of, or a witness to, the economic imbalance that exists in contempora­ry South Africa, where people increasing­ly inhabit contrastin­g economic realities. People live in poor conditions right next to the multibilli­on platinum-mining plants.

With these photograph­s I attempt to make the link with history of the people of Bamagopa tribe and the current situation where 60 miners lost their life after being shot by the police.

The events of Marikana mirror the Sharpevill­e massacre of 1960. These photograph­s are evidence that history always repeats itself.

O Bôna is the first solo exhibition of Sekgala’s work at the Goodman Gallery since his death in 2014.

It features his photo essays, Homelands, Second Transition and Running. The exhibition is on at 163 Jan Smuts Avenue, Parkwood, Johannesbu­rg from January 25 to March 14

 ??  ?? See: feature in
2010 (left) and the air we breathe, these metal release CO2 for miners undergroun­d, Marikana, an exhibition pooling together work from three of Thabiso Sekgala’s photograph­ic essays
See: feature in 2010 (left) and the air we breathe, these metal release CO2 for miners undergroun­d, Marikana, an exhibition pooling together work from three of Thabiso Sekgala’s photograph­ic essays

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