Mohammed on display – all 14 of them
NEW YORK: The blue-eyed Iowan shares a name with people of all ages and many races, in countries all over the globe. By most estimates, the name they share is the most common in the world.
And yet the Iowan feels isolated. “The greatest challenges in my life are tied to my name,” Khalid Mohamad El Khatib said.
Mohamad. That’s how Khatib spells it. From Afghanistan to Alaska, there are Mohameds, Mohammads, Mohammeds and Muhammads. They are a diverse and growing group – in the US alone, more than 2 600 were born in 2015. Theirs has been called the most popular name in Oslo, Britain and Israel. They’re also stigmatised: In tests with identical résumés, candidates named Mohamed were invited to job interviews three times less often.
A museum exhibit brings together 14 Mohammeds to display the variety of their religious beliefs and their home communities – and their shared unease about bias against their religion, Islam, whose prophet they are named for.
I Am Mohammed is one of several exhibits organised in the past three months, since President Donald Trump issued an executive order suspending travel to the US from certain majority-Muslim countries. Although the travel ban has been blocked by federal judges, the fear in the American Muslim community has not died down.
Muslim and non-Muslim artists are responding to that fear through art.
At the Museum of Modern Art in New York, curators hung up works by artists from the affected countries as a protest after the order, replacing works in the galleries by Picasso, Matisse and other Western artists. The Davis Museum in Massachusetts did the opposite, draping black cloth over about 120 works by Muslim and other immigrant artists.
The faith has been practised in New York since the 17th century, when the city was still New Amsterdam, chief curator Sarah Henry said. In this exhibit, the earliest images date to the 1940s, when Alexander Alland captured scenes of Syrian immigrants praying and Turkish American Muslim children doing their schoolwork around a table.
Henry said curators at the museum felt the need to quickly provide more information about Muslims as they heard people debating whether Trump’s travel order amounted to a “Muslim ban”.
“We’re trying to reveal the history and the facts. The history is that Islam has been woven into the history of the city for as long as there’s been a city here. It’s never been monolithic. It’s more variegated and complex.”
Henry said that many of the photographs were taken for the same purpose: dispelling bias against Muslims in earlier eras. Ed Grazda took photographs to show the normalcy of New York’s mosques after the first World Trade Center attack in the 1990s provoked anti-Muslim sentiment. Mel Rosenthal embarked on a similar project after the September 11, 2001, attacks, capturing images that included a Muslim mother solemnly holding a photograph of her son in his US Army uniform. Provoked by controversies surrounding the construction of mosques in New York, Robert Gerhardt photographed girls in a martial arts class in hijabs and a New York Police Department officer kneeling to pray in uniform.
Art is a common approach because, as Narmeen Haider sees it, it is one of the most accessible ways for non-Muslims to understand their Muslim neighbours.
“In your head, a Muslim looks so different from you and has such a different life. It’s easy for you to say, ‘Oh, a travel ban? I’m going to support that’. But when you see Muslims who go to school like you and play football like you, you start to think, ‘Maybe I’m not going to support this policy that can ruin people’s lives’.”
A practising Muslim who grew up in Texas and lives in New York, Haider came up with the idea for I Am Mohammed after Trump’s first travel ban order. Her religion forbids depicting images of the Prophet Muhammad.
The exhibit includes 14 photos of people sharing the prophet’s name printed on canvas, with audio clips of each person. It is wrapping up its showing at the World Money Gallery in Brooklyn, and Haider has heard from galleries in Toronto, Los Angeles, Britain and France that may want to host it next.
Some of the Mohammeds may surprise people. Ludovic-Mohamed Zahed, for example, talks about finding his place within the faith as the imam of the first LGBT-inclusive mosque in Europe: “I don’t have to choose, I feel, between my sexuality and spirituality.”
Aneesa Mohammad is not a practising Muslim, although she has Muslim relatives, and her last name comes from her Muslim background. She doesn’t come from a country affected by the travel ban. She was raised in Canada; her father came from Trinidad and her mother from Kenya. “A lot of people don’t know right away who I am – but my name, as soon as they hear that, you can see all these assumptions growing in their mind,” she said in the recording. “So there were times I wanted to change my name.”
Haider said secular art is key to reaching people who may never go inside a mosque or even speak to a Muslim. – The Washington Post