Saturday Star

ACTIONPACK­ED THRILLER

- FRANK SCHECK

IF YOUR last name should happen to be something in the order of Braven, it’s a good bet that sooner or later you’ll be the hero in an action film.

Such is the case with Lin Oeding’s B-movie thriller starring Jason Momoa as

Joe Braven, a hard-working lumberjack and dedicated family man who also happens to possess a particular set of skills that come in handy when dealing with vicious criminals intent on recovering their cache of heroin.

Its theatrical release seemingly designed to tide Momoa’s fans over until his upcoming starring turn as Aquaman, Braven is the sort of mindless but diverting action thriller that should find an appreciati­ve audience on VOD.

The film’s slow-going first half sets up the character’s domestic background. Joe has a beautiful, supportive wife

(Jill Wagner), adorable young daughter (Sasha Rossof) and a father, Linden (Stephen Lang), who is exhibiting growing signs of dementia after an accident.

Linden’s mental lapses have a tendency to make him aggressive, with Joe having to come to the rescue when his old man gets in a bar fight.

Joe also has a co-worker, Weston (Brendan Fletcher), who moonlights as a drug runner. When Weston crashes his truck on a stormy winter’s night, he stashes a large pile of heroin in Joe’s nearby mountain cabin.

That becomes a problem when Joe, wrestling with the decision about whether to put his father into a nursing home, decides to take him there for the weekend so they can talk things over privately. Their get-together gets rudely interrupte­d with the arrival of the crooks whose leader (Garret Dillahunt) is as deadly as he is deceptivel­y polite. He’s the kind of bad guy who shoots one of his underlings just to make a point.

You can pretty much guess the rest. Joe and his father, as well as his little girl whom they discover has stowed away in their truck, find themselves trapped in the cabin engaging in a life-and-death struggle with the evildoers intent on retrieving the drugs.

Besides the rifle with which Linden demonstrat­es well-honed sharpshoot­ing skills, they also fight back with axes, arrows and red-hot fireplace pokers, showcasing a DIY inventiven­ess that represents the film’s most original element. Eventually getting involved in the violent mayhem are Joe’s wife, who proves herself an expert with a crossbow, and a pair of cops.

The script and dialogue are rudimentar­y at best, but firsttime director Oeding, a veteran stuntman, clearly knows how to shoot an action sequence. – Hollywood Reporter

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