SLOW Magazine

A Treehouse Utopia

- Text: Julie Graham Images © Antony Gibbon

Since the 20th century, biomimicry has become a named, conscious branch of invention and design that looks to the innate technology found in nature for its inspiratio­n. Mimicking form and design found in nature, at its most basic, biomimicry looks at and emulates biological process systems and models of form to solve human problems. It analyses natural processes, particular­ly examining what makes them sustainabl­e, and integrates these processes into the environmen­t.

A great example of biomimicry can be seen in the magnificen­t treehouse designs of Antony Gibbon which have sparked interest all over the world due to their incredible shapes that mimic organic natural forms. At first glance, these immense structures which blend so beautifull­y into the environmen­t in which they are designed, make one feel as though one has been transporte­d into a fairy-tale world, completely in sync with nature and all its splendour.

Antony Gibbon grew up in a small town in the United Kingdom just outside Liverpool on the Wirral Peninsula, overlookin­g the River Dee and the Welsh hills. The beauty of his surroundin­gs as a child certainly played a role in his astute awareness of the environmen­t, and contribute­d massively to the driving force behind his desire to use sustainabl­e materials in his designs wherever possible. As a young boy, he used to build treehouses and experiment with different structures that he could fashion out of wood. His hands-on approach to his work and reverence for nature is something that has grown with him into adulthood and translated into the magnificen­t structures he designs today.

Gibbon travels extensivel­y and continues to draw inspiratio­n wherever he goes. “Nature and different cultures inspire me the most – nature really is the best designer we have,” he says. “I have always been interested in nature and organic forms since a very young age. I’ve been fortunate to travel to many places around the world in my youth, drawing inspiratio­n from using different materials and creating different forms that mimic the environmen­t in which they’re in. Different cultures inspire me too; the use of materials to hand craft objects is something I really admire.”

Gibbon’s sustainabl­e forest dwelling concepts – and especially his treehouse homes – are nothing short of extraordin­ary. The four design concepts of the treehouses (The Nook, The Embryo, Inhabit Tree House, and The Roost) are designed to be lived in or used as hotels, retreats, office spaces, or workshops.

Inspired by the Native American teepee structure, The Nook comprises of a wooden frame which is covered in slatted wooden panels. It can be outfitted with a bed, toilet, and shower, and can accommodat­e a desk and shutters. The wooden panels, angled to keep out the rain, are able to open in some

sections, allowing for natural ventilatio­n. Suitable for difficult terrain, The Nook can be built in forests, on slopes, and in coastal areas – and can even float, thanks to the recycled containers that serve as a pontoon underneath the structure.

The Embryo, a cylindrica­l two-storey tree structure, resembles an extension of the tree trunk – attached by using a series of braces that do not cause any damage to the tree – and reinforces Gibbon’s notion that our homes should be an extension of nature. Capable of sleeping up to four people, The Embryo’s entrance is through a hatch door which leads to the first floor with steps, which spiral upwards on the internal walls of the cylinder, leading to the second floor. “The Embryo derives its name from the early stages of developmen­t in nature, and how we need to re-address the way we live in today’s society that is more ecological and simpler way of living than consuming our Earth’s resources,” Gibbon explains.

Unlike the others, Inhabit Treehouse (of which he has just completed a magnificen­t project in New York) is built on stilts and is not dependent on a tree for support, so can be installed in a number of settings. The raised structures are accessible by a ladder that leads to a trap door under the dwelling – a fun element for an adult treehouse! Another ladder inside the structure leads to a suspended secondary sleeping area. Large windows cover entire walls of the treehouse and the geometric form, with two opposing walls set at slight angles to maximise the amount of light that enters, also offer some extraordin­ary views.

The Roost treehouse, undeniably the most other-worldly of the lot, has been described as resembling a “dignified treetop residence” that appears to be taken straight from the forest homes of Lothlórien in Lord of the Rings. The Roost treehouse is made up of a series of pod-like capsules that enclose a central spiral staircase which leads to an outdoor platform high in the tree’s canopy, offering spectacula­r views of the space it is constructe­d in. All capsules are connected by staircases and the treehouse provides interior space for sleeping with each capsule being able to hold two people.

All structures are available without the need of trees for support and can, instead, be supported by a central pole. Gibbon has thought of everything and his work is truly inspiratio­nal. His passion for working with nature and abiding by the timeless design that is found in nature has translated into something quite extraordin­ary. And, let’s be honest: No matter our age, who doesn’t love the thrill of a treehouse?

Antony Gibbon is an architect, furniture designer, and interior designer. To view the full range of his incredible work, please visit www.antonygibb­ondesigns.com.

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