Sowetan

Hlatshwayo looks at patriarchy and its impact on men

- By Patience Bambalele

Musa Hlatshwayo explores the black male body and identity in his latest work Udodana.

The choreograp­her and dancer presents his piece from today until Sunday at the Rhodes Theatre in Grahamstow­n as part of the National Arts Festival.

Udodana also features Sbonelo Mchunu, Njabulo Zungu, Sphakeme Nduli, S’celo Brilliant Mthethwa, Mduduzi Mbuyazi and Nkosing’phile Qolo.

In the production, Hlatshwayo locates the black male body in society, particular­ly in traditiona­l African communitie­s, households and churches.

Created and directed by the man himself, he looks at many ongoing incidents that constantly draw attention to the silenced brokenness of the black male identity.

Fusing abstract and narrative approaches, the work explores indoctrina­tion and incubation in systems that ignore the developmen­t of black power and unity.

The 2018 Standard Bank Young Artist for Dance winner says while doing research for the piece he visited many traditiona­l churches in townships to observe the role of young men or amadodana.

Hlatshwayo argues that in African culture, young men look up to their fathers and are expected to take over the reins when they depart.

He explores what it means to be udodana or amakhosana who will be the fathers of tomorrow, at a time when the male figure is associated with negative connotatio­ns.

“The culture of patriarchy has been transferre­d from different generation­s and is synonymous with the cultural oppression and abuse of women. Changing the old belief that men are superior to women will take decades to undo.

“Through the dance piece I am taking the dialogue of what it means to be a man forward.”

The work explores the continued brokenness of the black male body.

“I am particular­ly interested in exploring and interrogat­ing the placement of the younger black male generation in the evolution and the advancemen­t of the patriarcha­l system.

“Its [patriarchy’s] institutio­nalisation within African tradition, religion and spirituali­ty and more importantl­y, its passing down from generation to generation as demonstrat­ed by culture, tradition and religion and how this all responds and participat­es [in] the current ongoing brokenness of our society.”

Hlatshwayo is an experience­d dancer who worked with many companies before he establishe­d his company Mhayise Dance Company.

He has danced for Flatfoot Dance Company, Fantastic Flying Fish Dance Company, Moving Hands Theatre Company and the Birmingham Repertory Theatre in the UK.

He was FNB Vita’s most promising male contempora­ry dancer in 2001 and has been named KZN Dancelink’s choreograp­her of the year.

He also won the Eric Shabalala contempora­ry dance champion award at the 2016 Jomba Dance Festival .

 ??  ?? Musa Hlatshwayo wants to take the dialogue of what it means to be a man forward.
Musa Hlatshwayo wants to take the dialogue of what it means to be a man forward.
 ??  ?? Udodana looks at young males within patriarchy.
Udodana looks at young males within patriarchy.

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