Sunday Times

Noah set to earn serious cash on The Daily Show

- ADELE SHEVEL

THERE doesn’t seem a helluva lot to laugh about in South Africa when faced by load-shedding, unemployme­nt and weak economic growth.

But insightful perception­s of this country are probably what give Trevor Noah the competitiv­e edge in picking out the oddities in society, a talent that has propelled him to a high point in his career where he will take over as host of one of the most-watched television shows in the US, The Daily Show.

Jon Stewart, the current host and a multiple award winner, is television’s highest-paid latenight host. For Noah, taking over the hot seat opens up a new world of earnings potential.

Stewart has been hosting The Daily Show since 1999 and has more than 1.5 million viewers a day. According to TV Guide’s annual salary report, The Daily Show host makes between $25million and $30-million a year from the Comedy Central show. David Letterman on CBS is in second position at $20-million and Conan O’Brien is third with earnings of $12-million.

Such rich pickings are a world away for comedians starting out in South Africa, who find it hard to make a good living.

Kevin Keuvelaar, a sales manager at entertainm­ent agency Standing Ovation, says there are 10 to 15 top comedians in the country who make a very good living and “about six comedians who are booked all the time”.

An average comedian earns about R25 000 a month while top comedians earn about R150 000 a month, excluding additional income from CDs and books.

Keuvelaar says Darren “Whackhead” Simpson charges about R37 000 for a 35-minute comedy set and John Vlismas about R28 000. “If you’re going into comedy, it’s a hard business, but the top guys all made themselves in a certain way; they put in a lot of work.”

Vlismas runs his own events company managing other big names and Simpson created a brand through his radio show on Highveld Stereo.

Entreprene­ur Ronnie Apteker, who has been involved in filmmaking and ventures in the comedy scene, said making “funny money” was a real challenge. There are spin-off benefits, like being cast in television and print adverts, but these earning opportunit­ies depend on an artist’s profile.

Noah has made three appearance­s on The Daily Show and performed widely in the US between 2010 and 2012. But his big online profile is the probable reason he is replacing Stewart.

Noah “has a massive online social profile and this has elevated his position to an unpreceden­ted level”, said Apteker, adding that “it has certainly influenced the decision makers over there”.

Noah’s followers are in keeping “with all world comedians”. The 31-year-old has two million Twitter followers, and uses tweets to promote shows or make observatio­ns.

But Noah’s social media profile has also provided the source material for those opposed to his appointmen­t as Stewart’s replacemen­t.

Within 24 hours of the

Noah’s massive online social profile has lifted him to an unpreceden­ted level

announceme­nt, he faced a backlash over several offensive tweets he wrote about women and Jews. Noah responded on Twitter, saying: “To reduce my views to a handful of jokes that didn’t land is not a true reflection of my character, nor my evolution as a comedian.”

Comedy Central defended Noah, saying: “Trevor Noah pushes boundaries; he is provocativ­e and spares no one, himself included.”

The New York Times report- ed that his globetrott­ing spirit and ability to speak six languages set him apart on the comedy scene.

Noah is currently on his “Lost in Translatio­n” tour in the Middle East.

 ??  ?? GLOBE TROTTER: Trevor Noah will become South Africa’s highest-paid funnyman when he takes over The Daily Show
GLOBE TROTTER: Trevor Noah will become South Africa’s highest-paid funnyman when he takes over The Daily Show
 ??  ?? TOP EARNER: Jon Stewart
TOP EARNER: Jon Stewart
 ??  ?? UP THERE: David Letterman
UP THERE: David Letterman
 ??  ?? WHACK: Darren Simpson
WHACK: Darren Simpson
 ??  ?? NUMBER 3: Conan O’Brien
NUMBER 3: Conan O’Brien
 ??  ?? HARD WORK: John Vlismas
HARD WORK: John Vlismas

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