Sunday Times

‘I photograph with zero compromise’

Photograph­er Greg du Toit goes to extreme lengths to get his shots,

- writes Tiara Walters

WILDLIFE fine-arts photograph­er Greg du Toit, 38, spent a total of 270 hours over three months in a waterhole — with only his head and camera protruding from the water — to get the shot he wanted of a Kenyan lioness and cubs.

This image is one of the highlights of his career and will be on display at his first South Africa solo exhibition, which opens in Cape Town on Tuesday.

His seminal Authentic Africa exhibition features 47 limited-edition film and digital prints and notes from his journal.

In 2013, Du Toit’s Essence of Elephants portrait won the Natural History Museum’s Wildlife Photograph­er of the Year award — the “Oscar” of the genre. For this picture he used a slow shutter speed to capture an elephant herd wafting across the lens like blue phantasms.

In addition to Essence of Elephants, Du Toit will be displaying classics such as Last Breath, in which a leopard re-animates a dying impala as if manipulati­ng a marionette.

None of the images is digitally altered; Du Toit creates each picture in the field.

His moving portfolio is the result of thousands of hours in the wilds over 15 years. The lioness shot was one of his earlier pictures and an excellent example of the lengths to which he goes for the perfect image. After hiding out next to the waterhole for about 13 months, he went into the water for another three months — and got “every waterborne parasite imaginable”.

“I photograph with zero compromise, until I have done my subject proud,” says Du Toit, who picked up his first camera in 2001 when he was a game ranger in Timbavati, Mpumalanga.

He now pays the bills selling fine-art prints and books, and leading safaris.

“Find what you’re passionate about, then go out and shoot that thing until you’ve nailed it,” he advises. “This is how you eventually build a body of work that takes on a life of its own.”

The exhibition will be at the Great Cellar, Alphen Estate, Constantia, until November 17

 ??  ?? ‘QUEEN OF THE CASTLE’ Giant’s Castle in KwaZuluNat­al’s Drakensber­g is a popular place to go for classic action shots of jackals and vultures squabbling at the local ‘vulture restaurant’, where poisonfree meat and carcasses are provided for threatened...
‘QUEEN OF THE CASTLE’ Giant’s Castle in KwaZuluNat­al’s Drakensber­g is a popular place to go for classic action shots of jackals and vultures squabbling at the local ‘vulture restaurant’, where poisonfree meat and carcasses are provided for threatened...
 ??  ?? ‘NOMADS OF MAASAILAND’: Du Toit staked out this waterhole in the Great Rift Valley, Kenya, for 16 months after spotting fresh lion spoor around its edges. He became ‘obsessed’ with photograph­ing the lions as a symbol of the last free pride on Maasai...
‘NOMADS OF MAASAILAND’: Du Toit staked out this waterhole in the Great Rift Valley, Kenya, for 16 months after spotting fresh lion spoor around its edges. He became ‘obsessed’ with photograph­ing the lions as a symbol of the last free pride on Maasai...
 ??  ?? ‘ESSENCE OF ELEPHANTS’ ‘Sitting in an undergroun­d hide in Botswana, I decided to throw caution to the wind and abandon convention­al photograph­ic practices to capture a unique elephant portrait. A young calf raced past inches in front of my lens. The...
‘ESSENCE OF ELEPHANTS’ ‘Sitting in an undergroun­d hide in Botswana, I decided to throw caution to the wind and abandon convention­al photograph­ic practices to capture a unique elephant portrait. A young calf raced past inches in front of my lens. The...
 ??  ?? ‘THE MARTIAL’ ‘Knowing this eagle would soon alight on a perch to devour its prey, I hastily got into position and captured it flying through the air with its quarry,’ says Du Toit. Tuli Block, Botswana
‘THE MARTIAL’ ‘Knowing this eagle would soon alight on a perch to devour its prey, I hastily got into position and captured it flying through the air with its quarry,’ says Du Toit. Tuli Block, Botswana

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