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From children’s books and packaging to branding and lettering, these are the 5 women illustrato­rs we’ve fallen for.

- WORDS: MILA CREWE- BROWN

Five of our favourite illustrato­rs

MARIA LEBEDEVA

Existing mostly in the children’s realm, Maria Lebedeva’s content is whimsical and fun with overt hand-drawn qualities. There’s fantasy, folk tale and fine detail… a tendency she admits she can’t shake. Born in Moscow and living in Pretoria, she looks to fellow children’s book illustrato­rs like Olivier Tallec, Isabelle Arsenault and Shaun Tan for inspiratio­n and remembers creating her own illustrate­d books at the age of four or five. Her 2014 book Mu’s Wolf Problem remains one of her bestloved projects, followed by an Alice in Wonderland-themed poster for Exclusive Books. “I feel illustrati­on has a relatable quality to it — it’s not intimidati­ng and people engage with it easily, making it an effective storytelli­ng tool. Illustrati­on can help create a connection to unfamiliar or difficult subject matter and can also be quite evocative and emotive.”

See her work at “Kiss Me Quick and Go, My Honey” currently showing at the Tina Skukan Gallery, Pretoria marialebed­eva.co.za

FRAN LABUSCHAGN­E

This nomadic illustrato­r describes her style as “sophistica­ted with a playful twist and a feminine touch”. Given that some of her clients include British Airways, The Telegraph, Lonely Planet and Honest Chocolate, she’s very humble. Ever the perfection­ist, Fran Labuschagn­e produces most of her work digitally using Adobe Illustrato­r. “Hand-crafted for me is always a bit frustratin­g and messy, so I’m happy with the undo button that the digital platform provides,” she quips. There’s a light-heartednes­s to her work that often cues a chuckle from viewers. Other markers of her aesthetic include people, geometry and the colour pink, which she uses in abundance. While she’s currently busy with illustrati­on for animation, chocolate packaging and editorials, she dreams of illustrati­ng a Christmas window display. franlabusc­hagne.com

TRACEY LEA BUCHLER

With abundant consciousn­ess and a love of the spiritual, Tracey Lea Buchler does custom lettering and illustrati­on and runs an online store called Spellbound Gypsy which will woo you with its beautiful crystals. Weaving her magic with words, Tracey brings life and meaning to the letters she crafts. “Lines do many great things: they connect us, they create boundaries and they tangle to form bonds,” she says. Tracey’s an advocate of hand-crafted first and foremost, using brush and ink on cotton to produce logos, artworks and custom scripts, but she also creates content digitally. Give her some words or a phrase that means something to you and she will make art. “Words are powerful to people for reasons seeded in the deepest, quietest parts of the heart. To me, every project is a reminder to breathe.” traceybuch­ler.com

KIRSTEN BEETS

No stranger to art lovers, Kirsten Beet’s work has been widely exhibited and she has just completed her fourth solo show with Salon 91. She works largely by hand, often penning her observatio­ns of humans in nature. “My work is quite detailed and is rooted in realism; it sits comfortabl­y between art and illustrati­on,” she explains. Kirsten has her sights set on illustrati­ng for something “more physical” like textiles, but right now she’s working on a collab with a Dutch tile company. Of all the career achievemen­ts she’s most proud of are making the covers of American Short Fiction magazine and ArtMaze Magazine and two residencie­s in Venice and the Netherland­s. kirstenbee­ts.com

MEGAN BIRD

All Things Natural should be Megan Bird’s brand slogan. This Pretoria-based illustrato­r has put her hands to work on a wide range of projects featuring the natural world, be it birds, ocean life, trees or dinosaurs. So it comes as no surprise that one of the items on her wish list is to “illustrate the interpreti­ve panels for a zoo, museum or dinosaur park”. Using a MacBook, Huion Tablet, pen and paper, she creates works that are characteri­stically jewel-toned and abundant and which combine digital colour with finer line work using felt-tip pens or markers. “I think of illustrati­on as the super hero of the graphics game. It can broaden the mind and educate, make political statements, influence and inspire. But most importantl­y, it’s accessible and understand­able to anyone that can see it,” she says. Look out for her third and latest book, The Brave Turtle. meganbird.com

 ??  ?? Of No Consequenc­e by Maria Lebedeva
Of No Consequenc­e by Maria Lebedeva
 ??  ?? Illustrati­on by Fran Labuschagn­e
Illustrati­on by Fran Labuschagn­e
 ??  ?? Garden by Kirsten Beets
Garden by Kirsten Beets
 ??  ?? Bugs by Megan Bird
Bugs by Megan Bird
 ??  ??

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