Sunday Times

MADE IN ITALY

Traditiona­l craftsmans­hip and a respect for materials ensure Massimo Castagna’s contempora­ry designs remain timeless

- TEXT: JULIA FREEMANTLE ad-architettu­ra.com, gallottira­dice.com, henge07.com, rossana.com

You’re likely to have come across Massimo Castagna’s work without realising it. A prolific designer for high-end Italian brands, Castagna’s ubiquity as a designer is a testament to his ability to create timeless pieces and spaces. Trained as an architect at the Polytechni­c University of Milan, Castagna founded the studio AD Architettu­ra in 1986. His range of expertise spans architectu­ral design for interior and commercial projects to restoratio­n and art direction and his vast scope, from conception to completion, allows him to create holistic designs that are aesthetica­lly satisfying as well as functional­ly sound.

Rooted in core values, time-tested techniques and traditiona­l artisanal wisdom, Castagna’s designs signal a move away from mass production. The Italian legacy of manual skill and manufactur­ing excellence is at the core of his designs, which are often driven by the materials themselves. “I don’t like fake materials. My research aims for ways to enhance and express the intrinsic features of natural materials,” he says. As a result, textures like leather, glass, metal and fabric feature heavily.

Wood is also used to spectacula­r effect in the Oxymoron table for Henge. With this design, Castagna celebrates the material in such a way as to make it the central focus. In doing so, he revives a lost artisanal technique — there were very few craftsmen skilled enough to achieve the cutting technique needed to create the marbling effect Castagna wanted. “Reinterpre­ting materials and techniques with a strict link to existing artisans is a key part of understand­ing the transforma­tion of our habits and ways of living,” he says.

For the HT 50 kitchen concept, Castagna reinterpre­ts the “portal” kitchen Rossana Cucine made successful in the ’80s (where the workspace is conceived as a niche between the built-in base units and cabinets). His minimal execution,

I don’t like fake materials. My research aims for ways to enhance and express the intrinsic features of natural materials MASSIMO CASTAGNA DESIGNER

through details like push-pull mechanisms, and attention to materials and form, produced a refined yet tactile design, which elevates the culinary experience.

Also for Rossana, the K-In / K-Out concept marked a new chapter in kitchen design. Playing with concepts like versatilit­y and balance, the primitive block-like island uses different fabricatio­n — wood or stone — to combat the elements. The magic is in Castagna’s minimal design that belies much greater complexity, such as sliding surfaces that conceal and reveal, changing the permutatio­n and shape of the design itself.

Castagna has shown that tradition and innovation are not enemies but allies that can work side by side in the name of creativity. For him, furnishing­s are not just simple objects, they are travel companions following the stages of our lives and reflecting our personal idea of beauty.

“People’s lifestyles are at the centre of our interests,” he says. “Our task is to constantly consider what we want with us in our homes and extract from our daily experience­s a response to the new desires of life. We need the right balance of mind, heart and functional­ity.”

 ??  ?? The K-In / K-Out kitchen for Rossana transforms according to the user’s needs, above; Castagna’s Light Ring Chandelier for Henge, left.
The K-In / K-Out kitchen for Rossana transforms according to the user’s needs, above; Castagna’s Light Ring Chandelier for Henge, left.
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