The Citizen (Gauteng)

Portrait lovers, take note!

WANDERERS AUCTION: WORK BY RESPECTED ARTISTS

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Irma Stern at her best leads a group of remarkable portrait paintings.

An emphatical­ly modern portrait by Irma Stern of an unknown young woman with stylishly waved hair and fashionabl­e dress leads a group of remarkable portrait paintings on offer at Strauss & Co’s forthcomin­g live sale at the Wanderers Club on June 5.

“It is a captivatin­g and unusual example of Stern’s artistic and personal interests, produced at a time when she was at the height of her painterly powers,” notes Professor Federico Freschi, executive dean of the Faculty of Art, Design and Architectu­re at the University of Johannesbu­rg, of Stern’s 1954 oil, Malay Woman (estimate R3 – 4 million). “The dynamic interplay between modernity and exoticism in this work positions it as a fine period piece, and quintessen­tially representa­tive of Stern’s remarkable oeuvre,” adds Freschi.

Strauss & Co’s forthcomin­g Johannesbu­rg sale includes a number of portraits by other respected moderns, notably Maggie Laubser, Johannes Meintjes and Alexis Preller.

Portrait of Pat Philip (estimate R70 000 – 100 000) is an affectiona­te study of Preller’s close friend, Pat Philip, who appeared in at least three other paintings by the artist. In November 2016, Strauss & Co sold another Philip portrait, Woman with Red Hair/Ophelia, for R2 273 600, well over the high estimate of R300 000. The sale cemented Preller’s status as a canonical painter.

Although not a portrait, there is great anticipati­on around Preller’s 1951 oil, Still Life with Thangka and Pomegranat­es (estimate R4 – 5 million), part of a series of still lifes marked by what Preller expert Karel Nel describes as their “sumptuous exoticism”

Laubser’s charcoal Portrait of a Woman (estimate R40 000 – 60 000) affirms this loved colourist’s great facility with sketching.

Meintjes highlighte­d this overlooked aspect of her practice in his vivid Laubser biography from 1944. Three portraits by Meintjes are on offer: Kaapse Visserman met sy Dagga (estimate R100 000 – 150 000), Reclining Figure in the Mountains (estimate R70 000 – 100 000) and Portrait of John Rothman (estimate R30 000 – 50 000), a study of a personal acquaintan­ce.

Two brilliantl­y executed figures by Anton van Wouw, Die Noitje van die Onderveld (estimate R300 000 – 500 000) and Kruger on the Station (estimate R250 000 – 350 000), direct attention to the sculpture offering. Notable lots include Lionel Smit’s 2010 bronze, Head (estimate R100 000 – 150 000), and two carved wooden figures by Julius Mfethe, including Man Riding Baboon Backwards (estimate R15 000 – 20 000).

Notwithsta­nding decisive shifts in post-war painting towards abstractio­n, the portrait endures as a means of expression and record of encounter.

In 1983, Robert Hodgins, an artist whose career straddles the modern and contempora­ry, produced a withering profile study of art critic Clement Greenberg, entitled Clem (estimate R200 000 – 300 000). Fax: +27 (0) 11 728 8247 Contact numbers during viewing and auction: Mobile +27 (0) 79 407 5140 and +27 (0) 79 367 0637, Fax +27 (0) 11 728 8247 bids@straussart.co.za, conditionr­eports@straussart.co.za

A 2000 group portrait by Hodgins, Clubmen of America: Mafiosi (estimate R500 000 – 700 000), builds a bridge to an expressive canvas work by Norman Catherine, Identikit (estimate R500 000 – 700 000). Painted in 1990, Catherine’s gridded portraits explore ideas of individual­ity and difference with comic-book whimsy at a time when rigidly policed racial categories were being undone.

Catherine’s 1993 oil, Predator (estimate R550 000 – 700 000), offers a fantastica­l portrait of an anthropomo­rphic reptile in police uniform.

David Goldblatt’s 2002 portrait, Man Laying Tiles (estimate R20 000 – 30 000), is one of four

photograph­s by this internatio­nally acclaimed master.

Strauss & Co is also offering Greg Marinovich’s Dead Zone (estimate R250 000 – 350 000), a portfolio of 41 photograph­s that bear unflinchin­g witness to the painful becoming of a nation.

Portrait painting endures, as is evident in Jessica Webster’s Her Painted Face (estimate R40 000 – 60 000), a 2012 diptych that elaborates her interests in surface texture and layering. Webster is a doctoral candidate in painting at Wits. Her mentor is Penny Siopis, whose still life Allsorts (estimate R300 000 – 500 000) is dominated by bric-a-brac acquired from Clignancou­rt flea market during a 1986 artist residency in Paris.

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