The Citizen (Gauteng)

Pop-up gallery

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The second edition of Art X this year saw works shown from more than 60 artists from 15 African countries at 14 galleries.

Celine Seror, the co-founder of the pan-African Intense Art Magazine (IAM), described it as a crossroads of “very intense, very rich” cultural exchange.

“It connects Nigerian artists and the whole continent with politician­s and rich major collectors who could buy their art,” she said.

“They’re exploring classic themes of contempora­ry art such as the body, intimacy ... but there are also a lot of works with a strong political message about corruption or even the wealth gap.”

For Zina Saro-Wiwa, even if the event has a clear commercial side, art must before anything else “mobilise the spirit, create value”.

A curator, artist and film-maker, Saro-Wiwa is also the daughter of the Nigerian writer and activist Ken Saro-Wiwa, who was executed in 1995 by Sani Abacha’s military regime.

Her father led a popular movement that brought global attention to the devastatin­g pollution by foreign oil companies, including Shell, in his native Ogoniland.

Three years ago, Zina Saro-Wiwa decided to return to her roots in the Niger Delta to “explore the legacy” of her father.

She created boys’ quarters in her father’s old office in a working class area of the oil hub Port Harcourt, making it a pop-up contempora­ry art gallery where promising artists, including Uwadinma, could exhibit. –

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