Fragile future of glass
AFGHANISTAN: HANDMADE VASES A DYING ART AS TOURISM DWINDLES
It’s not going to last another generation, says one of last of glass-blowers.
distinctive coloured glassware that is more expensive than Chinese-made products.
“People don’t value art,” says Sakhi, who is in his mid-40s but looks much older. He began working with his glass-blower father when he was seven.
Sakhi sits on a low stool next to a wood-fired clay oven, occasionally wiping away sweat as the temperature inside the workshop soars above 40oC.
His eldest son Habibullah works alongside him, scraping shards of glass – mixed with copper or iron powder to create a blue or green tint – into a bubbling pot of molten liquid inside the furnace.
Sakhi sticks an iron blowpipe into the fiery mixture, gently spinning it like a honey twirler. After extracting the rod, he swings, blows and rolls the molten glass into shape before firing it in a kiln.
The tools and techniques used by Sakhi have barely changed in generations, although instead of
I am sad. If it stays like this it’s already finished.
making glass from quartz, glassblowers now recycle bottles and broken windows.
“It’s not going to last another generation,” says Sakhi, whose family have been making Herati glass for “200 or 300 years”.
Decades of war have driven away foreign tourists who used to be drawn to Herat.
The only hint of modernity in the smoky workshop is Sakhi’s blue Nokia mobile phone.
As the craft declines, survival becomes a growing challenge for Sakhi and his family – and without government support or tourism, Sakhi fears he could be the last of Herat’s glassblowers.
“I’m very sad,” he says. “If it stays like this it’s already finished.” –