The Citizen (Gauteng)

A visual delight

LITERARY ICON: GABRIELLE’S MESMERISIN­G TALE IS OVER 100 YEARS OLD

- Peter Feldman

This classic film boasts lush décor, opulent gardens and sumptuous costumes.

Knightly shines as never before in the title role of Colette, one of the most important woman writers in French literature. British director Wash Westmorela­nd’s elegant and stylish biopic recounts in great detail the private and public story of who Colette really was and how she got to be such an icon in her lifetime.

Her mesmerisin­g tale is more than 100 years old, but the topics it deals with, such as freedom and power in a male-dominated world, still resonate today.

During her time, Colette became a gay icon in artistic achievemen­t in the world of letters and stood as a proud symbol of the feminist movement.

Born a poor country girl from Burgundy in the late 1890s, Sidonie-Gabrielle Colette had no dowry but was imbued with ambition to be a person of stature.

She then met and later married Willy, played by the dashing Dominic West, a sexy and much older writer, and accompanie­d him to a new life of adventure in Paris.

She soon found, however, that her husband was also a literary fraud whose only talent was for convincing other people to serve as ghost writers on his stories.

With no interest in playing the role of “the little wife who stays home”, Colette embarked on a career of publicly captivatin­g Parisian society while privately joining Willy’s coterie of writers, earning for him the money and success to pay his gambling debts and finance his luxurious lifestyle.

The books she wrote, known as the “Claudine” stories, became overnight sensations under the Cast: Keira Knightly, Dominic West, Eleanor Tomlinson Director: Wash Westmorela­nd

Classifica­tion: 16 L N S P pseudonym “Willy”.

Colette is a visual delight. It boasts lush décor, opulent gardens, sumptuous costumes and fanciful recreation­s of turn-ofthe-century Paris in the Belle Époque.

The leads, Keira Knightley and West, cast an hypnotic spell as a team and the intricacie­s of the story (written by Richard Glatzer, Rebecca Lenkiewicz and Westmorela­nd) are intelligen­tly conveyed.

As a person, Colette defied gender roles until the day she died in 1954. She was a driving force on the road to Women’s Liberation and this movie captures every aspect of it with rare elegance.

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