The Citizen (Gauteng)

Pavarotti: ‘way bigger than opera’

DOCUMENTAR­Y: ICONIC TENOR’S STORY IN CINEMAS NEXT WEEK

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Collaborat­ions with pop icons brought classical music into fashion.

South Africans can look forward to experienci­ng the true splendour of Pavarotti’s career in cinemas nationwide from Friday next week.

“I want to reach as many people as possible with the message of music, of wonderful opera,” said Luciano Pavarotti.

His career stretched over 40 years, with more than a 100 million albums sold.

discogs.com reports that Pavarotti released 296 albums, 46 singles and extended-play records, and featured on 362 compilatio­n albums.

They, along with a look at the life, career and legacy of the musical icon dubbed “The People’s Tenor” are all appreciate­d in this documentar­y.

“For me, music making is the most joyful activity possible, the most perfect expression of any emotion,” said Pavarotti, years after he abandoned his own childhood dreams of being a football goalkeeper.

Growing up in a family of little means, his father’s fine tenor voice recordings were his first and earliest musical influences.

Born in 1935 near Modena, Northern Italy, Pavarotti embarked on music studies in 1954, at the age of 19.

The year after, his success story started to take shape, when, alongside his father, he joined the male choir, Corale Rossini, which won at that year’s Internatio­nal Eisteddfod in Llangollen, Wales.

Pavarotti started building a world-acclaimed resume with his debut operatic role as Rodolfo in the Teatro Reggio Emilia’s production of La Boheme in 1961, followed by his American debut in the Miami production of Lucia di

Lammermoor in 1965. That year he formed one of his shaping partnershi­ps, with Joan Sutherland – an Australian soprano.

It was, however, only in 1972 during a production of La Fille du

Regiment at the Metropolit­an Opera in New York, that his major breakthrou­gh came, with the delivery of nine effortless high Cs in the famous aria, leading up to a record 17 curtain calls, and the title of the “King of the High Cs”. Even Pavarotti admitted: “Am I afraid of high notes? Of course I am afraid. What sane man is not?” In 1980, Pavarotti appeared in

Rigoletto, singing the role of the duke to more than 200 000 people in Central Park.

That year, he won the Grammy Award for his album, O Sole Mio.

The remainder of the 1980s saw Pavarotti travelling the world, with success in China with

La Boheme, as well as in the role of Radames in Aida, before opening the opera season of the Metropolit­an Opera with II Trovatore, collaborat­ing with Eva Marton and Sherrill Milnes.

In 1990, during the Fifa World Cup in Italy, he performed Puccini’s Nessun Dorma – the BBC’s anthem for the tournament. This aria, out of the operatic piece Turandot, achieved pop status and along with that year’s World Cup soundtrack remained his trademark song.

More defining milestones were crafted when the album, The Essential Pavarotti, became the first classical album to reach No 1 on the UK Top Charts for five consecutiv­e periods.

Pavarotti’s career entered a new era, which focused less on opera and more on collaborat­ions with commercial artists and live performanc­es.

Pavarotti joined Jose Carreras and Placido Domingo, the infamous

Three Tenors, who sold more than a million copies of the 1991 Best Classical Vocal Performanc­e Grammy Award winning The Three Tenors in Concert.

Pavarotti’s record label since 1967, Polygram’s Decca Records, extended his contract in 1994 after selling more than 50 million albums. This partnershi­p ensured more collaborat­ions were within Pavarotti’s reach. Between 1992 and 2003 his humanitari­an side became just as influentia­l a part of his story, as his music. As a member of the Red Cross, he worked for the improved circumstan­ces of refugees and served at various other philanthro­pic organisati­ons, where he continued to build the famous, 10-series annual charity concerts, Pavarotti and Friends, raising millions of dollars for charity. One tremendous achievemen­t was the benefit concert he organized in 1995 for the children of Bosnia, which included collaborat­ions with Michael Bolton and U2’s Bono.

Pavarotti became well loved for his Pavarotti and Friends collaborat­ions.

The series saw duets with pop stars like Queen, Bryan Adams, Jon Bon Jovi and George Michael.

Besides these classical-meets-pop numbers, he stayed true to his art, with the inclusion of classical duets, with the likes of soprano Nancy Gustafson, tenor Andrea Bocelli, as well as new-age artist Andreas Vollenwied­er. The execution of the Pavarotti

and Friends series was criticised at the time, but that did nothing to hamper its success.

In 1998, Pavarotti was appointed as the United Nations (UN) Messenger of Peace; in 2001 he was awarded with the UN’s Nansen medal.

In 1995 after the release of his biography, Michael Walsh wrote in a New York Post article: “With stadium concerts, TV specials, and a chatty new autobiogra­phy, Pavarotti is bigger – way bigger – than opera itself.” Furthermor­e, in the Opera

News, 1997, Terry Teachout said: “The remarkable thing about Pavarotti, of course is not merely that he is still singing, but that his essential vocal qualities remain, for the most part, intact.”

Pavarotti commented: ““I am always a student till the last day of my profession, when perhaps I will think [I know] what I am.

“But now, that is not my character. My character is to take life as it is. The mutual love I have with the public is everywhere.

“But I am ready to accept this situation when the public will not love me. Then, I will stop.”

Pavarotti’s final appearance was during the 2006 Winter Olympics opening ceremony in Turin, Italy, where he once again performed his trademark aria,

Nessun Dorma, which recorded the longest and loudest ovation from an internatio­nal crowd.

The man, known for changing the world while changing the world of music, died in 2007 of kidney failure after a long battle with pancreatic cancer.

At the time of his death, Pavarotti was the best-selling classical artist in history and the Guinness world record-holder for receiving the most curtain calls – 165.

Pavarotti, the tribute documentar­y, is set to feature rare footage, peak performanc­es and dozens of new interviews, by Academy Award-winning Ron Howard. – Citizen reporter

 ?? Pictures: EPA-EFE ?? STUDENT OF LIFE. ‘I am always a student till the last day of my profession, when perhaps I will think [I know] what I am,’ he said late in his career.
Pictures: EPA-EFE STUDENT OF LIFE. ‘I am always a student till the last day of my profession, when perhaps I will think [I know] what I am,’ he said late in his career.
 ??  ?? MUCH LOVED: At the time of his death, Luciano Pavarotti was the best-selling classical artist in history.
MUCH LOVED: At the time of his death, Luciano Pavarotti was the best-selling classical artist in history.

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