The Citizen (Gauteng)

A fitting tribute to great man

- Peter Feldman

I was one of the journalist­s lucky enough to meet and interview one of the world’s greatest opera icons, Luciano Pavarotti.

It was in 1998, during the Soccer World Cup in France, when I was flown to Paris where the famous Three Tenors performed in front of the Eiffel Tower.

It was a mesmerisin­g evening and one I shall never forget.

Vivid memories of this enormous talent came flooding back on seeing Ron Howard’s exceptiona­l documentar­y, Pavarotti.

It goes to great lengths to paint a powerful portrait of the man in his many moments, with interviews galore and some of his highlight moments in concert.

He was a towering figure on stage and standing next to him was an overpoweri­ng sensation – he was an individual who oozed greatness.

Pavarotti is an overwhelmi­ng experience and one doesn’t have to be an opera fundi to enjoy its numerous facets.

He succeeded in telling his interviewe­r that he wanted to reach as many people as possible with the message of music, of wonderful opera.

His illustriou­s career spanned more than 40 years with album sales of more than 100 million. He released 296 albums, 46 singles and EP records and featured on 362 compilatio­n albums.

During his career, he collaborat­ed with many pop icons, including an effusive Bono, and brought opera to millions of ordinary people.

At the time of his death in 2007, Pavarotti was the biggest-selling classical artist in history and the Guinness world record-holder for receiving the most curtain calls – 165.

Award-winning director Howard shows his directoria­l skills by injecting his production with style and a deep understand­ing of his subject. Pavarotti is a highly recommende­d experience.

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