The Citizen (Gauteng)

A transforme­d Copenhagen

Post-pandemic setting

- Lisa Abend

Over the course of the coronaviru­s pandemic, Copenhagen, Denmark, somehow seems only to have become more thoroughly itself. With restrictio­ns long gone (they were lifted in January), and summer at hand, the city’s outdoor spaces, designed to extract every bit of joy from summer, have multiplied.

There are more harboursid­e spots where one can sip wine and swim, while devotion to environmen­tal sustainabi­lity has generated an entirely new hangout for the green-minded.

The Danish fetish for buttery pastries has transforme­d itself into a veritable eruption of new bakeries, while the broader dining scene – already world class – has become bigger and better.

And in a city where bikes already constitute the primary method of transporta­tion, Copenhagen is preparing for its cycling apotheosis: The Tour de France started here yesterday.

What’s Happening

For the first time in history, the Tour de France’s Grand Depart begins in Denmark, with a 13km time trial through the streets of Copenhagen before moving on, during Days 2 and 3, to stages that start farther west, in Roskilde and Vejle.

On Wednesday, the competing teams were presented first on a ride through the city and then in a special event, complete with live music, at Tivoli Gardens.

The first day’s race ended at Copenhagen’s City Hall, but a big cycling-themed party will take place in Faelledpar­kenon Days 1 and 2, with live music, bike games for kids, and large screens for watching.

Today, the route will open for cyclists of all skill levels to bike a “Tour de Copenhagen”.

But that will hardly be the only celebratio­n. Danes love a festival, and they are greeting a summer calendar that is once again full of them. This year, all the old favourites – from the heavy metal paroxysms of Copenhell and the smooth vibes of the Copenhagen Jazz Festival to the gastronomi­c excesses of Copenhagen Cooking to the highbrow discussion­s of the Louisiana Literature Festival – are back, and have been complement­ed with new additions like Syd for Solen.

But the biggest of all – more rite of passage than mere festival – is Roskilde, which takes place from Wednesday to today. This year it will attempt to channel all that pent-up energy with a postponed 50th-anniversar­y celebratio­n and the largest roster – 132 acts, including Megan Thee Stallion, Dua Lipa, Post Malone and the Strokes – in its history.

What to See

Several of Copenhagen’s cultural institutio­ns used the pandemic to finish long-planned improvemen­ts. The Danish Design Museum, which for a while was basically a warren of rooms filled with chairs, reopens tomorrow after a two-year restoratio­n – with an exhibition on how design can address global challenges like climate change and pandemics.

And one of Europe’s finest collection­s of 19th-century French art got a new showcase earlier this year when Ordrupgaar­d debuted its new wing, undergroun­d but open to the sky, on the edge of the city.

But perhaps the most topically relevant renewal is the Freedom Museum. Formerly called the Museum of the Danish Resistance, it was destroyed by arson in 2013, and entirely rebuilt from the ground up.

Its interactiv­e exploratio­n, of how Germany’s largely unobstruct­ed takeover of Denmark in 1940 gradually transition­ed into active resistance that sabotaged German weapons and mustered a volunteer fleet of fishing boats to spirit the country’s Jews to safety, makes for an especially poignant lesson these days.

Where to Eat

Spurred perhaps by two long lockdowns in which takeaway coffee and cake were among the few pleasures left, the city that invented the Danish (although here they’re called wienerbrød) has entered a new Golden Age of pastry.

There’s now an independen­t, chef-led bakery in almost every neighbourh­ood, and often long lines stretching down the sidewalk.

Some of the newest to try: Albatross & Venner, Benji and Ard – and that’s not counting Apotek 57 and Studio X, two cafes attached to different design shops, where they also do some mouthwater­ing inhouse baking.

The rest of the dining scene is thriving as well – maybe a little too much. For all its acclaim as an internatio­nal dining destinatio­n, prepandemi­c Copenhagen still had a hard time convincing its locals that restaurant­s were for more than just birthday celebratio­ns and weekend date nights.

But since restrictio­ns lifted in January, they seem to have gotten the message; suddenly places at all levels of the food chain are fully booked most nights.

Luckily, there’s a slew of new places to meet the demand. Chef Christian Puglisi’s groundbrea­king Relae and his natural wine bar, Manfreds, both closed during the pandemic, but from those losses, three exceptiona­l spots have risen.

At Koan, housed in what was Relae, chef Kristian Baumann injects some of the flavours and techniques of his Korean heritage into his precision-cut Nordic cuisine, for dishes like a plump, peppery mandu with fjord shrimp, or a baked Jerusalem artichoke served with a luscious langoustin­e cream.

Across the street, in the cramped, convivial space that was Manfreds, its former chef, Mathias Silberbaue­r, serves joie de vivre at Silberbaue­rs Bistro, along with relaxed Provençal cooking with an emphasis on bracingly fresh seafood and soul-satisfying comforts like onion tart and white bean stew.

After a residency at Blue Hill at Stone Barns, chef Jonathan Tam returned to Copenhagen and opened Jatak, an intimate jewel of a restaurant designed by his wife, Sara Frilund, where he serves refined dishes.

These include delicate curves of raw brill twinned with sweet steamed pumpkin; and strips of endive whose crisp bitterness is both enhanced and softened with a housemade sesame sauce.

The dishes are a deeply personal reflection of Tam’s Cantonese background.

New dining neighbourh­oods are also emerging. Tucked into a postage-stamp of a forest on the city’s southweste­rn edge, Banegården used to house Copenhagen’s railway works.

But the timbered buildings have now been repurposed by green food businesses, including a farm shop, a locavore restaurant and, yes, a bakery – one with excellent croissants and a commitment to sustainabi­lity so serious that there are no disposable cups: You can only get takeaway coffee via a deposit system for the thermos-style cups.

But perhaps the most exciting transforma­tion is of the stretch along the southern end of the city’s lakes. At Propaganda, Youra Kim’s Korean fried chicken is already iconic.

And at Brasserie Prins chef Dave Harrison makes old-school French dishes.

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