The Herald (South Africa)

Grahamstow­n set for recovery at last

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THE question of whether the National Arts Festival has outgrown Grahamstow­n has often been asked as the event has continued to successful­ly mushroom and expand its horizons since its humble beginnings 44 years ago. And the answer – from organisers, sponsors, performers and festival visitors themselves – has, for the most part, always been the same. Don’t mess with a winning formula. The consensus being that the transfer of this vibrant celebratio­n of creative energy elsewhere would mean depriving it of the encircling magic that only this mini city can provide.

And that’s because Grahamstow­n – in its entirety – becomes the festival, with its existing educationa­l pulse emulating a similar climate to that of its prestigiou­s cousin, the Edinburgh Festival.

But the Makana Municipali­ty – now more than ever – needs to get its act together.

A litany of service-delivery, sanitation and crumbling road woes is posing the question of the centre’s suitabilit­y with significan­tly more urgency, seriously jeopardisi­ng what is a substantia­l source of income for the city coffers.

Thanks to the efforts of an innovative citizen-driven initiative, Revive Makana, businesses and residents are knuckling down, raising funds and tackling the job of fixing Grahamstow­n themselves, but there is only so much the private sector can do.

Inept governance is no governance at all, which is why Ted Pillay – the Sarah Baartman District municipal manager on loan to Makana – has been tasked with developing a turnaround strategy which will address the most pressing basics of clean water, adequate electricit­y and sound infrastruc­ture.

For this he needs money, but the province has made it clear that the city must get its house in order first.

It’s something of a Catch-22, but with those with a commercial interest in the city stretching out a hand and festival management willing to act as a catalyst for coming up with remedies, there is some hope that the stage is set for recovery. It is one performanc­e Grahamstow­n is longing to see.

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