The Herald (South Africa)

Giving past winners the stage again

Arena Programme curator Tracey Saunders gives an overview of its 2018 production­s

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If you’ve ever wondered where exactly the winners of Standard Bank Ovation Awards disappear to, a visit to the Arena will provide you with an answer.

The Arena Programme is curated from proposals submitted by former Ovation and Cape Town Fringe Award winners, with artists receiving some support from the festival for a new piece of work as an acknowledg­ement of their previous success.

Jefferson “J Bobs” Tshabalala, one of South Africa’s most exciting theatre makers, consistent­ly breaks genres and redefines what it means to attend a live performanc­e.

This year, he brings J Bobs Live – Location Lekeyshini Lokasie to the Arena. “A Game, Meets Talk, Meets Sketch show”, it’s a show that examines, celebrates and reflects poignantly on the vast lived experience­s of South African townships. Not even J Bobs himself can predict the outcome of each game show ride.

Like J Bobs the Isikhumbuz­o Applied History Unit utilises different aspects of performanc­e as a means of examining our identity. The Xhosa Chronicles continues the exploratio­n that began last year with

Battles! – Iimfazwe! and interrogat­es the past of the ama Xhosa nation.

There’s more than theatre on offer, and while the Recording Academy’s lack of representa­tion of women at the Grammy Awards earlier this year earned them some ire, there’s a decidedly feminine focus at NAF.

● In addition to jazz singer, arranger, pianist and composer Amanda Tiffin taking the reins of the Standard Bank National Youth Jazz Band (SBNYJB) this year, Emma Farquharso­n brings us the work of nine seldomhear­d of women classical composers.

They include the 12th century mystic and poet Hildegard of Bingen; Kassia, first woman-of-colour composer; Amy Beach, and British composer Rebecca Clarke.

This unusual programme, Feather on the Breath of God will be accompanie­d by pianist Nina van Schoor and cellist Caleb Vaughn-Jones and the less musical but no less intriguing Hildegarde biscuits.

Hailing firmly from this century and striding into the future is Samthing Soweto. His fans will already have their tickets firmly in hand. Love Child’s mixture of soul, jazz and blues, infused with reggae and contempora­ry gospel complete the trio of musical offerings.

The Rerouted Dance Theatre, together with the Floating Outfit Project present Clothes Maketh (Wo)Man and offer an interrogat­ion of something we all take for granted, what we wear.

Tegan Peacock, a 2016 Standard Bank Ovation Award for BIRD/FISH together with Ashleigh Joubert and JC Zondi poses the question choreograp­hically in the single dance performanc­e on the Arena.

Sam Pennington returns with Flotsam, sailing on the stormy waters of the Western Cape.

Jo Kinda and the Perseverin­g People bring Pieces of An

African Drum , in which Port Elizabeth playwright Xolisa Ngubelanga asks what is more important – the bones of an ancestor, or gold?

The complete Arena Programme, is on Page 24 of the official programme, with details listed under each genre.

 ??  ?? SOULFUL SOUNDS: Nelson Mandela Bay singer LoveChild earns her place on this year’s Arena Programme
SOULFUL SOUNDS: Nelson Mandela Bay singer LoveChild earns her place on this year’s Arena Programme
 ?? Picture:EVAAN JASON FERREIRA ?? FEMININE NOTE: ‘Feather on the Breath of God’ celebrates seldom heard of women classical composers
Picture:EVAAN JASON FERREIRA FEMININE NOTE: ‘Feather on the Breath of God’ celebrates seldom heard of women classical composers
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